Fade In

September 17, 2013, 8:13 pm

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Massimo Grimaldi
Fade In



Published by: Mousse Publishing

128 pages 25 x 20 cm Softcover 2012

£21.00

This is the first comprehensive monograph on the work of Italian artist Massimo Grimaldi. "In the space of just over a decade, Massimo Grimaldi has developed an artistic practice that seems based on an apparent contradiction: producing art as a way of saying that, in the end, art is a trivial matter, and its role in the real world is superfluous. On more than one occasion-above all, through his text based works-Grimaldi has presented an image of art as a self-serving activity that springs from the desire to "be" and is fuelled by the ambition to "endure."

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This Place is Called the Hole

September 17, 2013, 8:13 pm

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Cezary Bodzianowski
This Place is Called the Hole



Published by: Mousse Publishing

284 pages 27 x 21 cm Hardback 2012

£33.00

This catalogue accompanies the exhibition by Cezary Bodzianowski, 'This Place is Called the Hole', the first museum retrospective of the work of one of the most original figures on the contemporary art scene. Bodzianowski has been part of this scene since the mid 1990's; he is known as the author of slight, sometimes hardly perceptible interventions, disturbing the natural course of day to day life and inserting an element of the absurd, anarchising poetry into it. The accompanying publication aims to sum up the artist's creative output to date.

The Assistants

September 17, 2013, 8:13 pm

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Mousse
The Assistants



Published by: Mousse Publishing

178 pages 20 x 13 cm Softcover 2013

£16.00

Edited by Fionn Meade, The Assistants originates as the visual and conceptual companion of the exhibition organised at David Kordansky Gallery, Los Angeles. Featuring original contributions together with rarely seen works, the publication is animated by Uri Aran, Nairy Baghramian, Matthew Brannon, Andrea Buttner, Rosalind Nashashibi, Adrian Piper, Laure Prouvoust, Slavs and Tatars, Mierle Laderman Ukeles, and Cathy Wilkes.

Giuseppe Gabellone

September 17, 2013, 8:13 pm

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Giuseppe Gabellone
Giuseppe Gabellone



Published by: Mousse Publishing

168 pages 28.5 x 18 cm Hardback 2013

£24.00

Time is a fundamental dimension of the work of Giuseppe Gabellone, and it resonates in all the works shown at the GAMeC in Bergamo. In his photographs and sculptures - the two main media around which Gabellone has developed his language stretching the conventions and possibilities of both - time takes on forms that are not easy to grasp, in spite of the clarity that sets his image apart. It is a time that is simultaneously specific and extraneous; an absolute and present time, but one that goes beyond the contemporary; a time anchored in experience, yet also transcending it.

Mark Barrow

September 17, 2013, 8:13 pm

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Mark Barrow
Mark Barrow



Published by: Mousse Publishing

40 + 40 pages 19 x 14.5 cm Softcover 2013.

£16.00

The publication is composed of a Catalogue of works and an artist book titled Redaction. The concept of the book was designed by Mark Barrow in collaboration with Stefano Cernuschi of Studio Mousse.

In Italy It's Called "Department Store at Night"

September 17, 2013, 8:13 pm

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Matthew Brannon
In Italy It's Called "Department Store at Night"



Published by: Mousse Publishing

72 + 72 pages 20 x 14cm Softcover 2013 

£18.00

Published in coordination with the first solo show by Matthew Brannon in an Italian art institution, the catalogue 'In Italy It's Called "Department Store At Night" The Rest Of The World Knows It As "Postcards & Death Certificates" is organised as two independent volumes contraining an unpublished novel by the American writer 'Antelope' an essay by Alan Reid in the form of a set of "imaginary" letters sent to Brannon himself, "Unanswered Letters," and a critical text by the curator of the exhibition and co-editor of the catalogue Alberto Salvadori.

Issue 39

September 17, 2013, 8:13 pm

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Mousse Magazine
Issue 39



Published by: Mousse Publishing

312 pages 37.5 x 25cm Softcover Newsprint 2013

£8.00

FATIMA AL QADIRI Sounds from the Ghost Raid by Babak Radboy CHRIS KRAUS It’s Very Sad, Really by Quinn Latimer GÜNTHER FÖRG The Point of Each Space by Kirsty Bell TALKING ABOUT Image Ethics by João Ribas CAMERON JAMIE Atlas Obscura by Andrea Lissoni KERRY JAMES MARSHALL The Lack in the Image Bank: Kerry James Marshall’s Reclamation of Pictures by Nav Haq TALKING ABOUT Lingering Tastes... by Jennifer Allen LOST AND FOUND ULL HOHN Restless Painting by Tom Burr and Fionn Meade ERICKA BECKMAN Cinema Gamer by J. Hoberman TALKING ABOUT Throwing a Net Over the World by Domenick Ammirati AVERY SINGER Unrealized, or The Realm of Thought by Lauren Cornell PAULO NAZARETH Traveling On by Hans Ulrich Obrist AGENDA by Antonio Scoccimarro and more.

Issue 3

September 23, 2013, 8:13 pm

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Of The Afternoon
Issue 3



Published by: Of The Afternoon

88 pages 28 x 21 cm Softcover 2013

£8.00

Since 2011, Of The Afternoon has published photography both online and in print to an international audience. What started as a blog evolved into our first print issue in 2011 and later, an exhibition in London in February of 2012.   As interest has grown in the print magazine Of The Afternoon’s online presence has expanded through social media sites such as Facebook and Twitter.   Photographers included in this issue: Aaron McElroy,  Max Pinckers, Eva Stenram, Susie Tsang, Elena Montemurro, Bertrand Cavalier, Natalie Krick, Sam Laughlin, Pablo Castilla, Lisa De Boeck and Marilene Coolens + a Q&A with MELK Gallery.

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Crossing Over

September 23, 2013, 8:13 pm

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Yanina Shevchenko
Crossing Over



Published by: The Velvet Cell

24 pages 24 x 16.5 cm Colour Offset Edition of 300 2013

£12.00

In March 2012 Yanina Shevchenko travelled from one end of Russia to the other and back again on the trans-siberian railway in a bid to discover for herself the true nature of her homeland. In the space of two weeks she spent a total of twelve days onboard, mingling with her fellow travellers and watching the Russian landscape unfold itself from her carriage window. Born in Volgograd of Russian-Belorussian descent, Yanina was motivated to unearth what 'Russianess' meant and whether it existed as a single entity from one end of the motherland to the other. What she encountered and discovered about Russia, and thus about herself, is documented in her book of writings and photography 'Crossing Over'. Yanina Shevchenko is a Russian-born photographer. She has worked in New York, Moscow and Buenos Aires and recently graduated from Goldsmiths University of London, MA in Photography and Urban Cultures. Her interests in photography are human identity, personal stories, urban and rural landscape.

Closed for Winter

September 23, 2013, 8:13 pm

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Isidro Ramírez
Closed for Winter



Published by: The Velvet Cell

16 pages 17.7 x 15.2 cm Edition of 300 2013

£6.00

Southwest Spain is not as big a tourist spot as the nearby Costa del Sol. Over to the West, in the province of Cadiz, summer and tourism had a very different flavour during my childhood and youth years. In the summer, hordes of national holiday makers from nearby provinces would flock to our Atlantic beaches. This would relieve them from having to endure the scorching temperatures typically endured in inland Spain in the months of July and August. My family, friends and I, on the other hand, would just feel lucky to already be in the place where everyone seemed to want to go and would never leave on a summer holiday. During these summer months our city would double or triple its population in a matter of days. Simultaneously our summer friends from Seville and Madrid would visit us in our city and both local and far away friends would gather together to hear the tales from the big city. But however special these long summers were, a bittersweet feeling always lingered. We knew that after this short and intense burst of activity, once September arrived, we would be abruptly returned to the tedious routine of our off-season lives. I have lived away from Cadiz now for over 22 years and although the place has changed beyond recognition and Spanish tourists now look further ashore for exoticism, my memories still perdure. Closed for Winter is partly a testimony to these distant memories of youth.

Issue 3

September 23, 2013, 8:13 pm

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Teller
Issue 3



Published by: Teller Magazine

98 pages 26 x 21 cm Colour Offset 2013

£7.00

Teller’s back, at work and at play. Chiara Dazi goes wandering with woodworking travellers, Tatyana Palyga spends a day at the office and Chloe Dewe Mathews ends up in call centre central by mistake. David Gray and Paul Summers investigate labour and its remnants in England’s idea of north and Steven Connor buys a new USB stick. We join Stuart Braun to hang out with the Parkies and hear the stories of Melbourne’s Aboriginal community, and Iphgenia Baal as she waits around for the council. Oliver Harris tells the story of a young soldier whiling away time in rural France on the way to war and Seba Kurtis pieces together fragments of Argentina’s bloody history. Chris Floyd lets us in on golden days with the love of his former life, Nikesh Shukla introduces his gilt-armed best friend and Alexander Massouras tells the moderately cautionary tale of a craftsman with the Midas touch.

APE#030 Jurgen Maelfeyt, Les Pierres

October 28, 2013, 8:13 pm

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APE
APE#030 Jurgen Maelfeyt, Les Pierres



Published by: Art Paper Editions

80 pages 19 x 27 cm Softcover 2013

£21.00

APE (Art Paper Editions) is an independent publishing platform. APE was founded in 2010 by Jurgen Maelfeyt and Caroline De Malsche and focusses on the book as an exhibition space. APE works with artists and institutions.

The Great Looping Bar

October 28, 2013, 8:13 pm

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Dimitri Broquard
The Great Looping Bar



Published by: Nieves

36 pages, 19.5 x 25.5 cm BW Offset, First Edition, 2013 

£10.00

The Looping Papaye Bar was an eccentric hangout initiated and steered by Mauro Paolozzi, Rafael Koch and Dimitri Broquard. This publication brings together the A4 sized invitations drawn with pencil by Dimitri Broquard for the events that took place at the ephemeral bar in 2012. Broquard took inspiration from ancient reproduction techniques such as etching, or from classical themes seen in art history and the decorative arts. Dimitri Broquard together with Bastien Aubry form the two-man design studio FLAG. Since 2002 FLAG has worked for art and cultural institutions, producing catalogues, artists books, magazines and posters. FLAG also creates drawings, illustrations for editorials and private projects.

Animal Report

October 28, 2013, 8:13 pm

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Susumu Mukai
Animal Report



Published by: Nieves

16 Pages, 19.5 x 25.5 cm, BW Offset, First Edition, v2013

£10.00

The Animas Report series is about drawings left by a team of missing adventurers. These drawings record their encounter with what appears to be a civilisation of beings in possession of advanced sciences of unknown kind. In a world reminiscent of Carboniferous period Earth 300 million years ago, how the creators of these documents arrived there, and their fate remain mystery. Susumu Mukai is a London based artist and musician  who is the creator of the music project Zongamin.

APE#029 Tinus Vermeersch

October 28, 2013, 8:13 pm

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APE
APE#029 Tinus Vermeersch



Published by: Art Paper Editions

80 pages 23,5 x 33,5 cm edition of 500

£21.00

Vermeersch’s drawings and paintings are reminiscent of a long tradition of Northern European painting inspired by masters like Breughel and Bosch. Drawing sensitively on dreams, rituals and impressions of life the artist creates meticulously crafted compositions. ”I like seeing my work as fragments and hints of lost epic times and vernacular societies, as parts or details ripped out of a larger context”, the artist says, referring to himself as a archeologist of sorts who is “in search for the story between the few scattered remains I have collected and inventoried”. The viewer is invited to be part of this search and to put together the pieces of their own story for which Tinus Vermeersch provides his finds and fragments.

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Blue Heron

October 28, 2013, 8:13 pm

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Robert Bellamy
Blue Heron



Published by: Blast Future Press

93 pages 30 x 23.2 cm  Hardcover Special Edition, Signed & Hand Numbered 2013

£49.00

The images were created by chance encounters, on a dérive, in a land unknown to me. I had yet to discover it first hand, for myself, through my own eyes, my camera, my mind. It is a selective visual document, a photo essay, a dream sequence through Japan. From Tokyo to the edge of the East China Sea, people and vistas, situations and locations both unique and unbeknown to me. The images are a collection of archetypal views, capturing scenes un-affected by in-depth study and to force the unknown quantity of my representation through the momentary split second capture. Throughout, Blue Heron takes on subtle and obvious aspects of duality, harmony, spirituality, philosophy, balance, and opposing forces.

We Make The Path By Walking

November 4, 2013, 8:13 pm

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Paul Gaffney
We Make The Path By Walking



Published by:

78 pages 16 x 21 cm Softover with photo-illustrated slip case Edition of 1000 2013 

£20.00

"During 2012 I walked over 3,500 kilometres with the aim of creating a body of work which would explore the idea of long-distance walking as a form of meditation and personal transformation. My intention was to create a series of quiet, meditative images, which would evoke the experience of being immersed in nature and capture the essence of the journey. The images seek to engage the viewer in this walk, and to communicate a sense of the subtle internal and psychological changes which one may undergo while negotiating the landscape."

Issue 20: Family Politics

November 4, 2013, 8:13 pm

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Photoworks Annual
Issue 20: Family Politics



Published by: Photoworks

220 pages 26 x 21 cm Softcover 2013

£20.00

With Issue 20, Photoworks becomes Photoworks Annual with a new format and a fresh design. Taking the theme Family Politics, the eagerly anticipated issue explores contemporary thinking on the most universal of photographic subjects. Contents include: commissioned work from Jowhara AlSaud and Claudia Sola, folios by Broomberg & Chanarin, David Moore, Dennis Yermoshin and John Clang; conversations between: Marianne Hirsch and Lorie Novak, Wendy Ewald and Anthony Luvera, Bettina von Zwehl and Kelley Wilder and writings from Michael Bonesteel, Susan Bright, Terry Dennett, Geoffrey Batchen, Blake Stimson, Sarah James, Stephanie Schwartz, Jack Halberstam, Aaron Schuman, Blake Morrison, Andrew Kötting, Sue Hubbard and David Campany amongst others. ‘The subject of ‘The Family’ can be both private and public: the site of intimate inter-personal relations and a social construct subject to public and political pressures. This relationship is mirrored in examples of family photography. The majority of family pictures serve essentially private functions, accruing meaning through their relationship to the memories, experiences and histories of individuals. However, the family is also the subject of public photographic representation and contestation, largely through digital media and over sharing. This involves a wide variety of practices, including representations in the mass media, art and advertising.

Issue 3: Women

November 4, 2013, 8:13 pm

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E.R.O.S Journal
Issue 3: Women



Published by: EROS Press

244 pages 13 x 19 cm Softcover 2013

£10.00

E.R.O.S. Issue 3  |  Woman Nina Power The Purloined Sex Stalemate By Way of an Editorial Naomi Pearce Keep Strong (Before the Pain Turns to Tears) Hannah Black No Girl No Gun (Notes For a Story About Women) Linda Stupart National Velvet Maija Timonen The Phantom Film Syndrome Beatrice Loft Schulz Seduction as a Virtual Object AnonID 711391 711391 (Excerpts) Including  Clunie Reid Bodies in Space/Bodies Without a Trace Lucian Mother Knows Best (Or, A Young Girl’s Guide to Success) Edd Bagenal The Woman who was Mistaken by her Husband for a Hat Jurgen Mealfeyt Breasts and much more.

Terribly Small Photo Books

November 4, 2013, 8:13 pm

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Erik Kessels & Paul Kooiker
Terribly Small Photo Books



Published by: Art Paper Editions

64 Pages 30 x 37 cm Newsprint Edition of 1000

£11.00

For several years, Paul Kooiker and Erik Kessels have organized evenings for friends in which they share the strangest photo books in their collections. The books shown are rarely available in regular shops, but are picked up in thrift stores and from antiquaries. The group’s fascination for these pictorial non-fiction books comes from the need to find images that exist on the fringe of regular commercial photo books. It’s only in this area that it’s possible to find images with an uncontrived quality. This constant tension makes the books interesting. It’s also worth noting that these tomes all fall within certain categories: the medical, instructional, scientific, sex, humour or propaganda. Paul Kooiker and Erik Kessels have made a selection of their finest books from within this questionable new genre. Incredibly small photobooks is the second volume (after Terribly awesome photobooks) showing this amazing collection.