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Issue 03

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The Gourmand
Issue 03



Published by: The Gourmand

20 x 28.5 cm Softcover 2013

£12.00

A Gourmand is a person who takes pleasure and interest in food of all kinds and The Gourmand is a new food and culture journal that binds inspirational words, images and ideas with the humble and universal subject of food.


Glacial Jubilé

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Estelle Hanania
Glacial Jubilé



Published by: Shelter Press

160 pages 19 x 24 cm Colour Offset 2013 First edition of 700 copies

£40.00

Customs and traditions: the originality of Estelle Hanania’s photographic work appears in the fact that it focuses on the european vernacular rites in a very unique way. Unlike the anthropologist or pure documentarist, she doesn’t try neither to understand nor to decode the mystery of those rites, letting them pass trough her camera. A procession of giants in a field, a magician in a parking lot, a wild cave… The shadows of a singular identity are standing as a non-exotic setting yet revealing themselves as an hallucination. Graduated from Les Beaux Arts de Paris, the 2006 award-winning photographer in Hyeres Festival Estelle Hanania is not afraid by the beauty, the pure aesthetics of the clothes or the masks. She knows how to keep a human distance to the subject, in a natural light, in silence. Her photographs are portraits and landscapes of men becoming animals or plants, as many chimerical figures embodied in our absurd contemporary world. In the background appears a car, a road, a parking lot: such as banal infrastructures and unspectacular places. Extraordinary rituals required in an ordinary community, a present in syncope, nested in the reality as a strange lichen growing on a concrete wall. First monograph dedicated to the work of Estelle Hanania, Glacial Jubilé features six sets of photographs taken in Switzerland, Bulgaria, the Basque Country, Italy and Austria between 2006 and 2011.

Issue 41

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Mousse Magazine
Issue 41



Published by: Mousse Publishing

26.5 x 37.5 cm Softcover Newsprint

£8.00

  TALKING ABOUT What do you need me for? by Vivian Sky Rehberg ALAN MOORE A for Alan Moore by Hans Ulrich Obrist TALKING ABOUT Pots on Video by Nick Currie ON PURPOSE AND URGENCY Introduction by Joao Ribas ON PURPOSE AND URGENCY I will revisit my lost loves, and playmates masterless! by Chus Martínez ON PURPOSE AND URGENCY Digital Landfills by Cory Arcangel

Suppose and a Pair of Jeans

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Anna Sew Hoy
Suppose and a Pair of Jeans



Published by: Oslo Editions

128 pages 17 x 24 cm

£16.00

The first monograph by Los Angeles-based artist Anna Sew Hoy, with contributions from Math Bass, Julia Bryan-Wilson, Trinie Dalton, Jennifer Doyle, Eve Fowler, Rita Gonzalez, Alice Könitz, Jenni Sorkin, and A.L. Steiner.

Uniforms

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Bettina Hubby
Uniforms



Published by: The Ice Plant

80 pages 9 x 12 in Saddle-stitched with orange nylon thread

£26.00

Los Angeles artist Bettina Hubby takes a detour from her curatorial, community-based projects with Uniforms, an artist book of paper collages as precise and elegant as they are chaotic and devious: clothed bodies collide, recombine and somersault across the page; machines mimic birds; jackets seem to genuflect in prayer... Constructed with the muted hues and contemplative negative space of a Noh play, Hubby's mashups remix the familiar photographic imagery of fashion, commerce and reportage into a open-ended riff on personal identity and the human organism. Complementing the work is an original fictional narrative by Dave Cull, delivered in brief installments throughout the book. Published in an edition of 750 copies on the occasion of Hubby's solo exhibition at Klowden Mann Gallery.

Issue 7

Wandering Off

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Lara Dhondt
Wandering Off



Published by: Art Paper Editions

48 pages 21 x 28,5 cm Edition of 500

£21.00

Dhondt's method of working is intensive and comprises various stages of documentation. Via Google Maps she marks places where she leaves her sculptures in public spaces. The locations of both her creations and her photography can be traced through the coordinates via internet and physical maps. Her consistent and methodical way of working, along with the creative process that takes place exclusively in the outdoor space as well as the documenting of that process is firmly rooted in movements such as Land Art and conceptual art of the 1960s and 70s. Dhondt's work is a kind of monument to temporariness. The constructions are based on the dimensions of personal space. These spatial demarcations and primary sculptures become altered into nomadic symbols, so to speak, and function as poetic podia for resistance. Dhondt is resisting the current financial and, above all, moral crisis with a call for humaneness and a search for meaning. 

Issue 10

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Paris, LA
Issue 10



Published by: DoPe Press

96 pages in color 21,6 x 28 cm

£10.00

With this issue of PARIS, LA we are celebrating an anniversary: It’s our 10th issue! For this special occasion we decided to dedicate the issue to the city of Los Angeles. In this context we’ve invited the French and the Americans, people greatly involved in today’s culture, to play around with the verbatim idea of PARIS, LA. As you will see, the result is not a straight line!


The Hill That Wasn't

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Stefan Vanthuyne
The Hill That Wasn't



Published by: Art Paper Editions

28 pages 18,5 x 26 cm edition of 500

£22.00

A pile of dirt on a farmer's land. That's all it was, really. I drove by it and I saw it. I cannot recall the exact day, except that it was somewhere in the fall. Time passed by, the seasons changed. During the winter it was bare, though there were days when it was covered in a blanket of snow. I would still occasionally drive by it and see it. In the spring it woke gently to the warmth of the sun. I would drive by it. And I would see it. Then came the summer, and it grew lush and full. One Sunday morning, while in a sentimental mood, I didn't simply drive by it. I stopped, I walked onto the land and approached it. And then I photographed it. Two weeks later I drove by the farmer's land again. To my surprise the pile of dirt was gone. Two years later I read a thirty year old essay by Japanese photographer Yutaka Takanashi, The "Landscape" Appears. In it he discusses a haiku by the poet Matsuo Basho, using it as a metaphor for landscape photography. 'What is up to the photographer to do with the "landscape"', Takanashi writes, 'is to encounter it, destroy it, rebuild it, and then release it.' Therein lies the pursuit of a new "landscape", the landscape of the photograph, the landscape of the haiku. One that not only relates an experience, but is an experience. Like Basho's haiku. Maybe that is what The hill that wasn't is about. I had seen the landscape many times, but it was not until that summer morning that I encountered it. And by photographing it and turning it into this book, I destroyed it, rebuilt it and released it.

Issue 4

A Field Guide and Handbook to the High Line

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Mark Dion, Jorge Colombo et al.
A Field Guide and Handbook to the High Line



Published by: Printed Matter

18 x 11.5 cm Softcover Edition of 5000

£8.00

A field guide and handbook of thoughts, musings, observations, case studies, and histories (alternative, conventional, and otherwise) on the elevated structure formerly and now known as the High Line of Manhattan.

A Book of Primitive Rites and Events

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Jerome Rothenberg
A Book of Primitive Rites and Events



Published by: Primary Information

14 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Some Recent Happenings

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Allan Kaprow
Some Recent Happenings



Published by: Primary Information

12 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Manifestos

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Öyvind Fahlström, Robert Filliou, John Giorno et al
Manifestos



Published by: Primary Information

32 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Berlin and Phenomena

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Wolf Vostell
Berlin and Phenomena



Published by: Primary Information

15 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.


The Twin Plays: Port-au-Prince & Adams County Illinois

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Jackson Mac Low
The Twin Plays: Port-au-Prince & Adams County Illinois



Published by: Primary Information

14 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Diary: Change the World

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John Cage
Diary: Change the World



Published by: Primary Information

15 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

The Cursive Scandinavian Salve

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Bengt af Klintberg
The Cursive Scandinavian Salve



Published by: Primary Information

14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Autobiography

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David Antin
Autobiography



Published by: Primary Information

15 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

Popular Entertainments

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Philip Corner
Popular Entertainments



Published by: Primary Information

12 pages 14.6 x 22 cm B&W Offset

£7.00

Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.

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