Julien Langendorff
Black Mirrors
Published by: Shelter Press
23 x 16,5 cm
Hardcover
Colour Offset
Edition of 1000
2012
Price: £21.00
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23 x 16,5 cm
Hardcover
Colour Offset
Edition of 1000
2012
232 Pages
13 x 20 cm
Softcover
Colour
2012
64 Pages
15 x 23 cm
Softcover
2012
Co-published by Innen
36 Pages
20 x 14 cm
Softcover
BW Offset
Edition of 500
2012
112 Pages
19 x 14 cm
Full Colour Digital Printing
Softcover
Second Edition
Edition of 50
2012
Graduations is a booklet with portraits of former students (from year 1974-1978) at the Dutch Art & Design Academy, the Gerrit Rietveld Academie, all found in an unpublished archive at the academy. Along with the portraits a collection of fictional text, which touches upon the time after graduating and the education as an artist/designer.
20 Pages
24 x 17 cm
Softcover
Colour Offset
Edition of 1000
2012
“IT’S ME AND YOU. AND THE DOORMAN”
296 Pages
23.5 x 16 cm
Hardcover
Offset
2012
424 Pages
13 x 25 cm
Colour Offset
Softcover
2012
76 Pages
23.5 x 18.5 cm
Softcover
2012
"CONSIDER MUSEUMS AS CONCENTRATION CAMPS"
64 Pages
27.5 x 18.5 cm
Softcover
BW laser print
2012
Each copy is individually numbered by hand and is accompanied by an A3 double-sided poster
28 Pages
38 x 27 cm
Offset
Edition of 500
2012
88 Pages
17 x 22 cm
Hardcover
Colour Offset
First Edition
Edition of 500
2012
Portraits/Portrety Fred Daniels by Nigel Arthur & Ewa Reeves is the first monograph on artist and photographer Fred Daniels who studied art in Paris where he met Auguste Rodin and Scottish colourist J. D. Fergusson. One of his first photographic commissions was from Fergusson's wife the prominent dancer Margaret Morris who was a contemporary of Isadora Duncan.
These images captured the imagination and notice of 'Vogue' magazine and admired for the way Daniels created form and movement with a plate camera. This made him an ideal candidate for stills photography in the film industry. Fred Daniels was noticed by E. A. Dupont who signed up Fred Daniels as the stills photographer on 'Piccadilly' (1929).
104 Pages
25.5 x 20 cm
Hardcover
Colour Offset
2013
60 Pages
11 x 8.5 cm
Softcover
Colour Offset
First Edition
Edition of 100
2013
86 Pages
25.5 x 20.5 cm
Softcover
Colour Offset
First Edition
Edition of 1000
2013
In FORMAT, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's graceful positioning of this material gives the reader a spirited visual narrative that unfolds many of our inherited formal mantras of the 20th Century.
136 Pages
22 x 16 cm
Softcover
Edition of 2000
2012
26.5 x 37.5 cm
Newsprint
Bimonthly
2013
Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
40 Pages
18 x 12.5 cm
Softcover
BW Offset
Edition of 100
2012
80 Pages
27 x 17 cm
Hardcover
Colour / BW Offset
2012
Peter Granser set off in search of traces of the town of Gruorn on the Swabian Alb, which was forcibly evacuated in 1939. He documents the eventful history of a landscape that was used for over 100 years as a training ground for the armed forces. In 2005, the terrain, still strongly contaminated with projectiles and unexploded ordnance, was declared a biosphere reserve.