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Issue 02

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Ontario Paper
Issue 02



Published by: Ontario Paper

100 pages 22.5 x 25.5cm Softcover 2013   

£12.00

For this issue, we’ve focused on a journey in Cuba and the music scene in Mexico City.  We hope you will enjoy what we found intriguing. 


The Ceremony and The Spirit

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Roe Ethridge & Zin Taylor
The Ceremony and The Spirit



Published by: Karma

72 pages 33.5 x 23.5cm Softcover 2013 

£24.00

 GUESS I’M TRYING TO FIND A STRUCTURE WHERE YOU AND I GET TO THROW IN OUR OPINIONS ABOUT STUFF, OUR IDEAS ABOUT STUFF AND HAVE THOSE NEGOTIATED WITHIN THE COMPOSITION… THIS WAY WE COULD USE THE STAR MOTIF, AND ANYTHING ELSE WE WANTED, AS WE’RE AT THE SERVICE OF THE BUILDING…  

Issue 5

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Of the Afternoon
Issue 5



Published by: Of The Afternoon

80 pages Softcover 28 x 21.5cm 2014 ISSN 2053-3594  

£8.00

Of The Afternoon is distinguished by its unique design: the first half of the magazine is designed to share the work that we feature in one of our regular London exhibitions; the second half of the magazine features interviews with some of the most exciting names in contemporary photography at the moment, along with studio visits from young creatives from across the globe.  Of The Afternoon asks questions, exploring the creativity, passion and hard work that exists behind each body of work.   Featuring work from 32 of the photographers that were shown in our exhibition, plus interviews with:  Todd Hido Rob Hornstra Collier Schorr Kristine Jakobsen Sarah Eyre Tom Lovelace + studio visits.

No.16

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Cura.
No.16



Published by:

147 pages Softcover 27 x 20.5cm 2014  

£6.00

INSIDE THE COVER Elad Lassry words by Tim Griffin PORTRAITS IN THE EXHIBITION SPACE Jan Hoet and the museum as contemporary sculpture by Lorenzo Benedetti SPACES—Study Cases Objectif Exhibitions Antwerp Vincent Honoré in conversation with Chris Fitzpatrick TALKING ABOUT From the preface to the exhibition… (part I) by Jean-Max Colard SPOTLIGHT Anthea Hamilton in conversation with Ruba Katrib SPECIAL PROJECT Parker Ito words by Liv Barrett SPOTLIGHT Richard Sides in conversation with Anna Gritz LAB a project by Michele Abeles and Margaret Lee SHOW AND TELL Diego Perrone text by Cecilia Canziani LAB Cell Phones a project by Tilman Hornig ARTISTS WORDS Art Inside Us text by Ian Cheng SPOTLIGHT George Henry Longly in conversation with Nicoletta Lambertucci THE EXHIBITION ROOM a project by Sara Cwynar words by Nicholas Brown  

Pieces of Berlin 2009-2013

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Florian Reischauer
Pieces of Berlin 2009-2013



Published by: Recap Editions

204 pages Hardcover 22.5 x 17.5 2013  

£28.00

Pieces of Berlin is a project by Austrian-born photographer Florian Reischauer, which started as a blog in 2010. While in recent years, Berlin has come to be regarded as a fashionable city and international hub for artists, Reischauer presents us with a non-idealised image of the German capital. The book features portraits and short interviews with average residents of Berlin and paints a humble image of the city. Published by Reischauer's own Recap Editions (Berlin).

No. 44 The Algeria Issue

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Brownbook
No. 44 The Algeria Issue



Published by: Brownbook

200 pages + inserts Softcover 26 x 21 cm 2014  

£6.50

Brownbook's latest issue meets a new generation reviving the Algerian capital’s cosmopolitan spirit   Some cities move into the 21st century as museum pieces or tourist traps. Algiers is neither. Long overshadowed by its North African neighbours, the largest country in Africa has been under the radar for decades, leaving its capital, Algiers, largely untapped and tourist-tat free. Behind the scenes, though, a creative community has been flourishing and an upbeat new generation of designers, artists and entrepreneurs are dusting off and getting ready to spread the word.   Creative concepts popping up all over the city are attracting attention, from appealing product design stores to contemporary kitchens and innovative start-up spaces. In a country dominated by its mega corporations, many of these ventures appear to seek the opposite – working creatively in a smaller, more intimate way and reaching out on a human scale amidst Algiers’ urban sprawl.   As the world’s greatest cities adapt and change with their residents, Algiers too, albeit slowly, is fixing up. ‘The mayor is working really hard to make Algiers a great place to live,’ says Yasmine Bouchène, editor of the city’s local ‘what’s on’ guide, Vinyculture. Indeed, large-scale projects are afoot to redevelop the coastal strip that extends east of the port. Over 140 building permits have been granted since 2005 to those wishing to invest in the tourism infrastructure.  

No.9

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The Carton
No.9



Published by: Art And Then Some

88 pages Softcover 28 x 21 cm Spring 2014  

£12.00

This issue isn't about how simsmiyyeh is both a gooey sesame treat and an awkward Middle Eastern musical instrument to which most of us were oblivious. Spring can really hang you up the most as Fitzgerald once said, so we felt that things could use a little jazzing up. No matter where you're spending your April and whether chestnuts are in blossom or not, it's time you've turned your players back on. Shall we listen to our grumblings now?

World 3

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The Otolith Group
World 3



Published by: Bergen Kunsthall

183 pages Softcover 33 x 25 x 2.5 cm 2014  

£38.00

The exhibition “In the Year of the Quiet Sun” revisits moments from the grand political project of mid century Pan-Africanism, envisioned by revolutionaries such as W.E.B Du Bois, George Padmore, Frantz Fanon and Kwame Nkrumah as the total liberation of the African continent from Europe, through the building of a United States of Africa. One of the key works in the exhibition is the installation Statecraft. In this installation the short century of decolonization, as formulated by Okwui Enwezor, is envisioned in the form of a political calendar assembled from the unlikely and anaesthetic medium of the postage stamp. These masscult artifacts, issued to commemorate the independence of African nation-states, from the centenary of the founding of the Republic of Liberia in 1947 to the founding of the Republic of South Sudan in 2011, are integrated into an elaborately designed display system that invites sustained attention to this often overlooked media. The artists publication WORLD 3 both completes and complements the exhibition. In close relation to the work Statecraft, the book also employs the postage stamp as its main visual medium. The book assembles a trialogue between First Day Covers from newly independent African states, envelopes from the diaspora of the digital auction and an associative inventory of quotations from thinkers such as Walter Abish, Ayi Kwei Armah, Amilcar Cabral, Helene Cixous, Basil Davidson, Assef Djebar, Jacques Derrida, WEB Du Bois, Bessie Head, Frantz Fanon, Ruth First, Doris Lessing, Clarice Lispector, Kwame Nkrumah, Ali A Mazrui, Achille Mbembe, Fred Moten, Sony Labou Tansi, Nathaniel Mackey, B. Kojo Laing, Dambudzo


Phantom Settlements

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Catrin Morgan
Phantom Settlements



Published by: Ditto Press

198 pages Softcover 15 x 22.5 cm 2011  

£18.99

Exploring the issues of authenticity, lies, and deception in art, Phantom Settlements is based around conversations with three artists - Tom McCarthy, Ryan Gander, and Jamie Shovlin - some of those conversations real, some fictitious.   By Catrin Morgan, edited by Catrin Morgan and Mireille Fauchon. 

2012/2013

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The Inkling Magazine
2012/2013



Published by: The Inkling Press

150 pages Softcover 21 x 15 cm 2013  

£10.00

Founded in November 2012, The Inkling magazine is a celebration of the essay form, and a personal and accessible approach to intelligent writing and creative response.  Our five Areas of Interest span the knottiest and most concerning points of young existence, as we know it.Fields & Buildings is our space and place for geography, architecture and environmentalism—for the ugliest buildings in the world and trees big enough to accommodate dinner parties. Now & Then hosts men, women, heavy metal and gun policies in history and politics. Technophobes & Technophiles frames the ongoing pro-tech vs anti-tech debate between the nerds and the luddites, while Ink & Other Animals is home to thoughts on literature and the arts. Finally, theBrains & Bowels section is dedicated to the physical and the psychological – sex, the mind and the body – from the politics of the orgasm to the philosophy of smoking. Across these five sprawling, fertile grounds, we aim to create a dialogue.

Ultimate Clothing Company

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Alasdair McLellan
Ultimate Clothing Company



Published by: Alasdair McLellan

25 x 25 cm Softcover Colour Offset With a Poster Wrap Dust Jacket Edition of 2000 2014 

£40.00

Alasdair McLellan began to photograph in 1986, aged 12. He grew up in South Yorkshire on a diet of kitchen sink drama through films, literature and pop music.  The Ultimate Clothing Company is an intimate and introspective monograph edited and designed by art directors Mathias Augustyniak and Michael Amzalag M/M (PARIS).

peter2013sutherland

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Peter Sutherland
peter2013sutherland



Published by:

160 Pages  Softcover 11.4 x 17.8 cm Edition of 500 2013 

£7.00

The first of Sutherland's three book set. Peter Sutherland is a NYC based artist that works in different mediums, producing thought provoking imagery in a non-indexical manner at the same time following one thematic thought, contributes to the reason he is hard to peg down as an artist. His work is honest, a reflection of life as a young American, fragments of urban degradation and exposes the happy accidents that make life interesting.

Issue 4

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David Lamelas
Issue 4



Published by: Drawing Room Confessions

80 pages 17 x 11 cm English

£8.50

(…) I like very much the idea of creating mutants! I like this view of my work. I would say that often my work is sculpture that is not sculpture, documentary that is not documentary, architecture that is not architecture, and time that is not time. That is exactly what I would like to achieve in my work: a moment in time without time. I would like to create a work that disappears, that does not exist. (…)

Issue 5

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Benoit Maire
Issue 5



Published by: Drawing Room Confessions

48 pages 17 x 11 cm English

£8.50

(…) It could be linked to something like responsibility, in the sense that, when you create a work, you’re the only person responsible for its existence vis-a-vis a third party, or an audience. You are simultaneously also responsible for an ideology, because a work is still a position with respect to the real and is therefore an ideology. Whereas the act of reducing oneself to a pathetic state makes you irresponsible. You put responsibility on the shelf.I was drunk, so I acted like an idiot. I’m forgiven. I had the right to act like an idiot. (…)

Issue 6

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Rosalind Nashashibi
Issue 6



Published by: Drawing Room Confessions

48 pages 17 x 11cm English

£8.50

(…) You can go into a situation knowing that you’re interested and even knowing why you’re interested, but it’s the filmmaking that gets you closer to the parts of your knowledge that are inaccessible or not yet accessible. The way I used to make films was to look at places that attracted me – places that intimidated me or excited me or places I liked – and then film in order to really look at them. Now I try to get a bit closer to knowing, to constructing something. I’m already one step further when I start than I used to be. I’d like to put those two ways of working together. Still, it’s really only about trying to find out why I’m going back to this place or situation in the first place. (…)


Volcano Menu

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Peter Sutherland
Volcano Menu



Published by: Peter Sutherland

160 Pages  Softcover 11.4 x 17.8 cm Edition of 500 2013 

£7.00

The third book in Sutherland's three book set. Peter Sutherland is a NYC based artist that works in different mediums, producing thought provoking imagery in a non-indexical manner at the same time following one thematic thought, contributes to the reason he is hard to peg down as an artist. His work is honest, a reflection of life as a young American, fragments of urban degradation and exposes the happy accidents that make life interesting.  

Season Pass

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Peter Sutherland
Season Pass



Published by: Peter Sutherland

160 Pages  Softcover 11.4 x 17.8 cm Edition of 500 2013  

£7.00

The second book from Sutherland's three book set. Peter Sutherland is a NYC based artist that works in different mediums, producing thought provoking imagery in a non-indexical manner at the same time following one thematic thought, contributes to the reason he is hard to peg down as an artist. His work is honest, a reflection of life as a young American, fragments of urban degradation and exposes the happy accidents that make life interesting.

Issue 7

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Luis Camnitzer
Issue 7



Published by: Drawing Room Confessions

48 pages 17 x 11 cm English

£8.50

(…) I don’t think the art is personal. I think the emphasis we put on authorship is misleading. I think culture is collective, anonymous, and extremely slow. As an artist the only thing I can do is click my fingers a little bit, hoping something happens, but it’s that action of doing this. My signature is irrelevant; what matters is its effect on you, which is not in my control and has nothing to do with me as an individual. Ultimately we all should be good citizens. Not by submitting but by criticizing, challenging, stimulating and unleashing things. And this is an anonymous function, not a personal one. It doesn’t need crediting. I think it would help if we could forget about our footprint being our own. So long as something happens. (…)

Issue 8

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Sarah Lucas
Issue 8



Published by: Drawing Room Confessions

64 pages 17 x 11 cm English

£8.50

(…) Yes, because a lot of my things depend on — to be more or less effective — the angle of the diagonal. Especially these things made of tights, because they can sag a bit or put a leg just a bit wrong. It’s not like there’s a precise way they have to go at all. But my touch… It’s because I’m confident with it as well. I know it doesn’t have to be one particular way, but I also know what looks right when I see it. I suppose I’m bringing all of that to it. And quite often if I go and see something that’s been hung by somebody else, and especially when things have travelled in crates half-way around the world, and they get there, they’re opened up, and often if it’s in somebody else’s hands to tweak them, and whoever it is hasn’t got my facility with that. And you can’t explain that to somebody. It’s interesting how much meaning can be in the angle of the diagonal. (…)

Issue 2

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Smoke Room
Issue 2



Published by: Smoke Room

24 pages 20 x 20 cm Colour Offset Edition of 200 2014

£10.00

This issue centres around Dan Lopez; Dan Lopez is a native Angeleno whose photography showcases the less frequently seen corners of LA, and documents the transient nature of these landscapes. His photographs explore how urban decay, architectural abstraction and hidden treasure create a kind of anthropological puzzle composed of crumbling facades, dilapidated signage and countless coats of paint. His use of color and tone underscore the latent humor and surreality hidden in the banal, creating a visual narrative through an imagined history. He is a contributing photographer at The Eastsider LA. 

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