On The Beach

August 21, 2014, 8:14 pm

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Various Artists
On The Beach



Published by: Lodret Vandret

56 pages 20 x 26 cm Softcover Edition of 300

£22.00

Featuring Aaron Hegert, Rob Kulisek, Arnaud Lajeunie, Hannah Whitaker

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Color

August 27, 2014, 8:14 pm

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Daido Moriyama
Color



Published by: Getsuyosha

312 pages 18 x 25.5 cm Softcover 2012

£50.50

Moriyama shot approximately 30,000 photographs in Tokyo using his digital camera between 2008 and 2012. He carefully selected 191 images for “Color”, which was published in April 2012. 

On The Road

August 27, 2014, 8:14 pm

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Daido Moriyama
On The Road



Published by: Getsuyosha

400 pages 24 x 19.5 cm Softcover 2011

£31.50

On The Road was produced Moriyama’s amazing retrospective at the National Museum of Art in Osaka, Japan 2011. This book features a range of images taken over the course of his career- featuring recent digital colour work, to older black and white work from the 60’s. 

Monochrome

August 27, 2014, 8:14 pm

≫ Next: Vol.28

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Daido Moriyama
Monochrome



Published by: Getsuyosha

312 pages 18 x 25.5 cm Softcover 2012

£50.50

Monochrome is the companion followup to Color, and shares the same publisher tagline: Tokyo 2008-2012. It is, like the best of Moriyama, a graphic assault where the sum of its parts is a more valuable takeaway rather than the individual parts themselves. 

Vol.28

August 27, 2014, 8:14 pm

≫ Next: Issue 2

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Clutch Magazine
Vol.28



Published by: Ei Publishing

272 pages 29 x 21.5 cm Softcover 2014

£13.50

Issue 2

September 1, 2014, 8:14 pm

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Plantation Journal
Issue 2



Published by:

32 pages 16.5 x 23 cm Softcover Edition of 200 2014

£15.00

This second issue of The Plantation Journal showcases a selection of artists' practices that explore variations in the approach of creating a sculptural body for the purpose of the image itself. These sculptural bodies, like the sculptural elements in Journal 1, whether physically or digitally manipulated, do not exist before or after the image was taken. The Plantation Journal 2 is continuing its conversation from the previous issue in which the constructed objects where the topic of discussion. The issue includes an essay on the topic following a carefully curated selection of photographic work. - The relation between the gaze and what one wishes to see involves a lure. The subject is presented as other than he is, and what one shows him is not what one wants to see. It is in this way that the eye may function as an object a, that is to say, at the level of the lack. Jacques Lacan (1978) Four fundamental concepts of psycho-analysis.  

Pilgrims of the Air

September 1, 2014, 8:14 pm

≫ Next: Preparation K

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John Wilson Foster
Pilgrims of the Air



Published by: Notting Hill Editions

230 pages 19 x 12 cm Hardcover 2014

£14.99

‘When an individual is seen gliding through the woods, it passes like a thought, and on trying to see it again, the eye searches in vain; the bird is gone.’ This latest publication from Notting Hill will be available from 19th August. We have created a special pre-order facility so that you can reserve your copy now. This is a story of a scarcely credible abundance, of flocks of birds so vast they made the sky invisible. It is also a story, almost as difficult to credit, of a collapse into extinction so startling to the inhabitants of the New World as to provoke a mystery. In the fate of the North American passenger pigeon we can read much of the story of wild America – the astonishment that accompanied its discovery, the allure of its natural ‘productions’, the ruthless exploitation of its ‘commodities’ and the ultimate betrayal of its peculiar genius. And in the bird’s fate can be read, too, the essential vulnerability of species, the unpredictable passage of life itself.

Preparation K

September 1, 2014, 8:14 pm

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Keegan McHargue
Preparation K



Published by: Nieves

28 pages 19.5 x 25.5 cm Softcover 2014

£12.00

A collection of recent colored pencil drawings by artist Keegan McHargue. Preparation K is a fresh peek into the artist milieu. The drawings takes us on a provocative behind-the-scene journey examining the many layers of the self and society. Classic themes of night/day, work/play, inside/outside intertwine with current news headlines and history to create an openended narrative. From cover to cover, Keegan’s kaleidoscopic vision keeps you itching for more.

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Issue 2

September 8, 2014, 8:14 pm

≫ Next: One Season In Hell

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FIN Magazine
Issue 2



Published by:

143 pages 16.5 x 21.5 cm Softcover 2014 

£13.50

Featuring conversations with photographer Oliviero Toscani, musician Vilde Tuv, furniture designer Lars Beller Fjetland, art duo Atelier Bingo, gallerist Jeanette Steinsland and more! Stories by Anne-Line Nygaard, Stine Vikne, Rosemarie Auberson, Frida Maureen, Linn Heidi Stokkedal, Chris Aadland and Dinosaraus. 

One Season In Hell

September 8, 2014, 8:14 pm

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Nick Mauss & Ken Okiishi
One Season In Hell



Published by: Mousse Publishing

64 pages 13.5 x 20 cm Softcover English/French

£13.50

In the spring of 2007, in New York, as part of an exhibition organized by Gavin Brown's enterprise, Nick Mauss and Ken Okiishi produced One Season in Hell, an installation whose point of departure was Arthur Rimbaud’s famous extended poem Une saison en enfer. By using Google’s online translation app to obtain an English version of the original text, Ken Okiishi first of all appropriated it and peppered it with jokes, puns and references to popular culture, from Karl Lagerfeld to South Park by way of the hairstyles of certain Japanese teenagers and Volvo cars. Nick Mauss, for his part, annotated the text, and then drew on it. In tandem, the artists then published an eponymous book in which these pages were all brought together, in an edition of 500, which was quickly sold out. From 13 May to 14 August 2011, Nick Mauss presented his very first solo show in an institution at the FRAC Champagne-Ardenne. It was in the wake of this exhibition that Nick Mauss and Ken Okiishi expressed their wish to re-issue One Season in Hell, whose outcome both offers us a new way of looking at Rimbaud’s oeuvre and extends their respective praxes in a remarkable way. Co-published with FRAC Champagne-Ardenne.

Bis Morgen Im Nassen

September 8, 2014, 8:14 pm

≫ Next: A Permanently Open Window

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Lotte Reimann
Bis Morgen Im Nassen



Published by: RVB Books

128 pages 18 x 24 cm Softcover

£27.00

Bis Morgen im Nassen is a documentary narration about Christian, a passionate wetlook fan for years. The project is realized as a book and consists of about 100 images he took between the early ‘90s and 2005 and 5 dairy-like shortstories she wrote after getting to know Christian and his wetlook community in person.

A Permanently Open Window

September 8, 2014, 8:14 pm

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Jason Dodge
A Permanently Open Window



Published by: Mousse Publishing

96 pages 16 x 23 cm Hardcover

£18.00

Jason Dodge’s practice attempts to give new life to objects, exploring their potential and provoking the viewer’s cognitive ability to imagine a corresponding narrative. Focusing on specific aspects of two works, A permanently open window and Changing the lights – From rose light to white light, from white light to rose light, by hand, over and over, Jason Dodge’s artist book is not merely a documentation of his works but, in the artist’s words, “a record of light changing over a day, in one case naturally and in one case manually”. The publication was conceived and designed to accompany Jason Dodge's permanent installation realized for the Maramotti Collection, in Reggio Emilia – a permanently open window located in what was once the tower of a factory’s electrical power plant, an abandoned industrial space, now transformed into a commercial outlet – and contains selected images from both projects, as well as a text.  

Autumn Issue

September 15, 2014, 8:14 pm

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Hotshoe
Autumn Issue



Published by:

21.5 x 28 cm Softcover 2014

£9.00

HOTSHOE is the UK's leading contemporary photography magazine, published 4 times a year HOTSHOE is repeatedly the first to spot and support innovative work. Our accessible features are not only the product of a powerful visual aesthetic, but also strong writing and intelligent design.  This issue features Harley Weir, Gerhard Steidl on the hot seat, portfolios from Aaron Schuman, Seba Kurtis, Esther Teichmann and more.

Issue 6

September 15, 2014, 8:14 pm

≫ Next: Issue 7

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Of The Afternoon
Issue 6



Published by: Of The Afternoon

80 pages 21 x 28 cm Softcover 2014

£8.00

Featuring work from 32 of the photographers that were shown in the exhibition, plus interviews with: Synchrodogs // Esther Teichmann // IPG Project // Anthony Gerace // Andrew Miksys + more.

Issue 7

September 15, 2014, 8:14 pm

≫ Next: The Sun Shone Glaringly

≪ Previous: Issue 6

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Printed Pages
Issue 7



Published by: It's Nice That

128 pages 27.5 x 20 cm Softcover

£5.00

The Autumn edition of Printed Pages comes wrapped in a cover shot by the excellent Ben Sandler and Bonsoir Paris, exploring the theme of “The Fall”. Contained within you’ll find features on designer Mike Perry’s favourite objects, an archive of Riot Grrrl zines from Teal Triggs, a biopic of Peggy Guggenheim, interviews with Australian comics artists Simon Hanselmann and Grant Gronewold, photographer Lucas Foglia, international artist Olafur Eliasson, and C-G Hagström – a photographer who captured some of the best pictures of artist Tove Jansson.  We look at whether the church can coexist with good design, why British creatives are obsessed with the USA and explore some of the weirdest magazines on the newsstands. There’s more too of course, but you’ll just have to pick up a copy to find out!

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The Sun Shone Glaringly

September 15, 2014, 8:14 pm

≫ Next: 402 Dots

≪ Previous: Issue 7

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Seth Lower
The Sun Shone Glaringly



Published by: The Ice Plant

80 pages 18 x 23 cm Softcover 2014

£21.00

Seth Lower’s second photobook explores an observation he made about Los Angeles after moving to the city in 2010: "It isn’t always easy to differentiate between what is spontaneous or real, and what’s mediated. Nothing is ever one or the other..." Throughout the book, the comically unresolved drama of our unnamed “hero” emerges from several distinct elements: photographs of generic but oddly familiar movie set locations around the city; portraits of aspiring actors glaring into the sun; awkwardly poetic dialogue and screenplay notations lifted or modified from Hollywood blockbusters; and Lower's own fabrications and personal anecdotes. Referencing works as diverse as Mulholland Drive and Crocodile Dundee in Los Angeles, The Sun Shone Glaringly evokes all the tropes of the LA myth to address an essential question: how do popular representations of Los Angeles affect the everyday experience of the city, and how do people negotiate the slippage between their real lives and their potential selves?

402 Dots

September 15, 2014, 8:14 pm

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Jonathan Horowitz
402 Dots



Published by: Karma

402 pages 20 x 20 cm Softcover Edition of 500 

£21.00

402 Dots is comprised of 402 canvases, each one painted by a different artist using only pre-provided paint and brushes. The dots all differ in size, shape, position and texture: a black and white display of the multiplicity of human creativity. The publication 402 dots displays one dot every page - an unrelenting look at how close we can come to achieving perfection, without ever reaching it.  

Collages

September 15, 2014, 8:14 pm

≫ Next: Issue 11

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Birdie Lusch
Collages



Published by: Karma

44 pages 38.5 x 30 cm Edition of 300 

£21.00

Birdie Lusch was a factory worker for most of her adult life. She began making art as a teenager, producing books and albums filled with drawings, collages and poetry. This facsimile of one of her sketchbooks explores the numerous forms of flowers in cases. The works are wonderfully varied even as they follow the same compositional formula: a pot filled with flowers sitting on a tabletop. Lusch worked with whatever materials happened to be on hand, repurposing them into her subject matter. Here, shirts, rugs and maps are refashioned into vases while pastry, meat and carpeting are transformed into flowers.

Issue 11

September 15, 2014, 8:14 pm

≫ Next: Note to Self

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Note to Self

September 15, 2014, 8:14 pm

≫ Next: A Hundred Flowers

≪ Previous: Issue 11

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Carroll Dunham
Note to Self



Published by: Karma

304 pages 28 x 21.5 cm Softcover Edition of 500

£21.00

Over the last four decades Carroll Dunham has created hundreds of works on paper, functioning as stand alone works and preliminary sketches for his vibrant paintings. Note To Self compiles over 200 of these black and white and colour works printed on various coloured paper. Works range from Dunham’s early abstract paintings in muted tones to crayon renderings for his latest series in the flowers.