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Landscapes

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Marina Gadonneix & Marcelline Delbecq
Landscapes


Published by: RVB Books

 

88 pages 
27 x 33.5 cm
Hardcover
1 audio CD fr. & engl.
Edition of 500
2011


Price: £42.00

 

Landscapes presents a previously unpublished series by Marina Gadonneix who, over years of research, has brought together a collection of singular images: blue or green overlays, used as neutral backgrounds for special effects in cinema and on television. Images between abstraction and figuration, place and non-place, fullness and emptiness, these landscapes, once subtracted from their matrix, may only be considered as images in their abstract representation. 
And these are indeed landscapes in the accompanying fiction, “Blackout,” a text written for the series of images by Marcelline Delbecq. Between fiction and reality, real landscapes and mental landscapes, vision and drifting, the text, in its written form as well as in its form as a soundscript, may either add to or take away from the images, whose visual impact appeals to what’s happening off screen as well as to what is beyond consciousness.

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Clinic

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Remi Faucheux
Clinic


Published by: RVB Books

204 pages

29 x 29 cm

Hardcover

 

 



Price: £32.00

 

Clinic explores the aesthetic of the medical world through contemporary photography. Going a stage beyond photojournalism, it showcases the work of eleven photographers, exploring their unique perspectives on this multi-faceted theme. Partly created through hospital artist-in-residence programs, these photographs portray an intimate vision of these spaces and their inhabitants. 
 
Working in parallel with CLINIC, the creators of Useful Photography have selected a range of vernacular photographs related to medicine. As with all of Useful Photography's projects, this series comprises images originally made for utilitarian rather than aesthetic reasons. Instead of glossy photo-shoots, the work you see here is culled from scientific publications, communications documents and instruction manuals.
 
Photographers include Oivier Amsellem Constant Anee, Eric Baudelaire, Geoffroy de Boismenu, Christophe Bourguedieu, Jacqueline Hassink, Albrecht Kunkel, Ville Lenkkeri, Matthew Monteith, Mario Palmieri, Stefan Ruiz and Useful Photography (Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels, Hans van der Meer). 
 

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Supernatural

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Katja Stuke
Supernatural


Published by: Böhm/Kobayashi

28 pages

35 x 28 cm

Offset

Edition of 150 

2010



Price: £31.00

Katja Stuke's series Supernatural shows male and female athletes, who mentally somehow seem to be somewhere else - absent in their concentration, shortly before their athletic peak performance. A skill to ignore the whole environment, thousands of people in the audience, the noise level, everything that surrounds them. Because all eyes are set on them, the main characters, and exactly this concentration is crucial for their success. The images of gymnasts and high-divers have been taken during the Olympic Games in Sydney (2000), Athens (2004) and Peking (2008). All portraits have been photographed from the television screen. One can still see the grids, the rest of the television features, like stations or the fade-ins have been removed. You can clearly read the tension in the young faces just before the performance. The ambition, the iron will can obviously be seen, the talent can be sensed. And exactly this interplay between body and mind forms the fascination, which the event of the Olympic Games provokes.


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Character Thieves

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Oliver Sieber
Character Thieves


Published by: Böhm/Kobayashi

72 pages

32.5 x 24.3 cm

2012



Price: £32.00

Concept and Design by Oliver Thieves, with a text by Mariko Takeuchi. 


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The Antifoto Manifesto

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Manuela Barczewski, Michael Biedowicz et al.
The Antifoto Manifesto


Published by: Böhm/Kobayashi

19 pages

45.8 x 31.6 cm

2013

 



Price: £4.00

With texts and statements by Manuela Barczewski , Michael Biedowicz , Laura Bielau, Janine Blöß, Sophie Boursat, Ulrike Brückner, Swen Buckner, Ben Burbridge, Olivier Cablat, Charlotte Cotton, Joerg M. Colberg, Christoph Dettmeier, Felix Dobbert, Jason Evans, Martin Fengel, Rainer Gabriel , Stefanie Grebe, Allison Grant, Stephen Gill, Stefanie Haarkamp, Sebastian Hau, Robert Hartmann, Marvin Heiferman, Yoshinori Henguchi, Elmar Hermann, Christoph Hochhäusler, Todd Hido, Iris Maria vom Hof, Anton Ignaz, Mischa Kuball, Thomas W. Kuhn, Karin Krijgsman, Doris Krystof, Christiane Kuhlmann, Jeffrey Ladd, Jason Lazarus, Peter Lindhorst, Thomas Neumann, Gordon MacDonald, Ted Partin, Ulrich Pohlmann, Doug Rickard, Judith Samen, Adrian Sauer, Ken Schles, Joachim Schmid, Sigrid Schneider, Wilhelm Schürmann, Thomas Seelig, Oliver Sieber, Alec Soth, Juergen Staack , Eric Stephanian, Clare Strand, Katja Stuke, Mariko Takeuchi, Anke Volkmer, Thomas Wiegand, Denise Winter, Erik van der Weijde, Duncan Wooldridge, Anna Zika, Damian Zimmermann.


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Issue 4

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Zug
Issue 4


Published by: Innen

 

92 pages
23.6 x 16.5 cm
Softcover
Color Offset
Edition of 1000
2012


Price: £10.00

 

Issue 4 Liquid 
 
Tamás Fehérvári: The Solidity of Liquid Jelly, or the Basic Assumptions of Symposiums
 
There is something irritating about solidity. Of course, there is something enviable about how someone with a firm conviction about one thing or another can stick to it no matter what; however, it does impede dialogue. Envy slowly gives way to frustration – justified or not – over the other’s pig-headedness and inability to take part in a debate. So, anything that is not liquid can be completely exasperating, while that which is liquid… come to think of it, liquid can be just as bad. Comments that not only come trickling into the conversation always at the right time, but that also give the impression of being stones from the bottom of the stream, and of having been worn smooth long ago by the flowing water… After a while, a person devoid of the desire to argue can only hear echoes of his own trickles of thought. Jelly. I think this is the ideal state of matter. Gelatinous morality, gelatinous value systems, gelatinous rhetoric. Of course, it needs some liquid to go with it, depending on your preferences, and just a touch of something solid if possible. But that is just to set off the liquid. Something to go with it.
 
Contributors: András Bányai, Jody Barton, Linus Bill, Jonas Delaborde, Karen Ann Donnachie, Tamás Fehérvári, Frédéric Fleury, Ron Hanson, Misha Hollenbach, Adrien Horni, Gábor Kerekes, Lóránd Kosnás, Katerina Šedá, Adrienne Sós, Sergei Sviatchenko, Shauna Toohey, Bertrand Trichet

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Eleven to Liverpool Street

The House That Burns Every Day

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Marina Gadonneix
The House That Burns Every Day


Published by: RVB Books

32 Pages

28 x 35 cm

B&W Offset

Softcover

2012



Price: £11.00

 

Marina Gadonneix’s work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. 
The House That Burns Everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix collects these artificial ruins. From a distance, the spectator can cope with the worst. The worst, in this work, is always yet to come.

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Cathedral Cars

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Thomas Mailaender
Cathedral Cars


Published by: RVB Books

36 Pages

30 x 38 cm

Colour Offset

Hardback cover

2012



Price: £37.00

 

“Cathedral cars” is a generic term invented by dockers at the port of Marseille to designate the vehicles that cross over the Mediterranean from Marseilles to North Africa by ship. Thomas Mailaender pays tribute to these “cathedral cars” that can be considered as human feats, visually defying the laws of gravity and tied-up dreams.
The photographer has made portraits of these cars seen from behind or from the profile, taking the background away in order to isolate them in the frame. Evoking popular art and sculpture, these cars also speak of the voyage to come, and deal with the passage from one territory to another, exodus and migration.
Constructed as a large-sized picture book, Cathedral Cars borrows the attributes of children’s books: thick cardboard paper, shiny coated film. A choice that creates a distance from the reality of context in order to present the subject itself as a game of construction.
Marc Augé’s text, “Elsewhere, Hereabouts” as well as a collection of “found images” by the artist, are printed on in12-page booklet, fitted into the thickness of the book cover.

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Extreme Tourism

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Thomas Mailaender
Extreme Tourism


Published by: RVB Books

24 pages

19 x 26 cm

Colour Offset

Hardcover

2011



Price: £15.00

 

Thomas Mailaender collects and stores away images he finds mainly on the internet. This is how he discovered the existence of Steve Young, a photographer based in Hawaii who gathers information on volcanic eruptions. Besides an impressive gallery of volcanoes, his website offers a playful section with his “Volcano Fantasy Photo Business” that is a perfect echo to Thomas Mailaender’s artistic world. In exchange for a few dollars, Steve Thomas proposes photo souvenirs of expeditions on the flanks of the most dangerous craters, through photomontage and ludicrous productions. Extreme virtual tourism in full colour.
Between compulsive appropriation and mirror games, Thomas Mailaender donned his Hawaiian shirt and took part in the proposed productions. He selected twenty of them that he arranged in this artist’s book. The keen attention paid to the fabrication and design of the book emphasizes the new status that the artist’s intervention confers on these images.

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Issue 1

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Misery Connoisseur
Issue 1


Published by: Misery Connoisseur

132 Pages
28.5 x 22 cm
Softcover
Colour Offset
2012

 



Price: £7.00

MC curates and publishes the work of artists and writers in the celebration of Misery.


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Issue 2

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HomeSapiens Magazine
Issue 2


Published by: HomeSapiens Magazine

128 pages

24 x 16 cm

2013



Price: £13.00

CONTRIBUTORS

Kobo Abe, Pia Bijkerk, Ebony Bizys, Hilda Grahnat, Victoria Hannan, Edward Johansson, Iain McKell, Francesco Migliorini, Kate Miss, Jan Otto Schreiber, Roger Snider


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#2

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Limner Journal
#2


Published by: Studio Operative

168 Pages
12 x 17 cm
Colour & B&W Offset
2012



Price: £10.00

 

Limner is a new critical journal of illustration.
It's aim is to provide a platform for the exploration, critique and contextualisation of contemporary illustration.

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Issue 7

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The White Review
Issue 7


Published by: The White Review

196 Pages

24 x 16.8 cm

Softcover

Colour Offset

2013



Price: £13.00

The White Review is a London-based arts and literature journal. Now in its seventh print issue, each edition of The White Review combines a unique collection of new fiction and poetry, interviews and essays, and original works of art and photography, by emerging talents and established names.

Issue 7 contributors
 
Oeuvres by Edouard Levé (tr. Jan Steyn) (Fiction)
 
Comment is Fraught: A Polemic by Mr Guardianista (Essay)
 
Luc Tuymans (Art & Interview)
 
Topsoil by Jesse Loncraine (Fiction)
 
The Present Hour by Yves Bonnefoy (tr. Beverley Bie Brahic) (Poetry) 
 
On the Exaggerated Reports of the Decline of British Fiction by Jennifer Hodgson and Patricia Waugh (Essay) 
 
Talia Chetrit (Art)
 
Children of God by Peter Stamm (tr. Michael Hofmann) (Fiction)
 
Keston Sutherland (Interview)
 
Poems by Oli Hazzard, Joe Luna and Keston Sutherland (Poetry)
 
Pyramid Schemes: Reading the Shard by Lawrence Lek (Essay)
 
John Stezaker (Interview & Art)
 
Bracketing the World: Reading Poetry through Neuroscience by James Wilkes (Poetry)
 

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Lichen, Lichen

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N. Dash
Lichen, Lichen


Published by: Hassla

36 Pages
25.5 x 19 cm
Clothbound hardcover
Color offset
2013



Price: £23.00

Lichen, Lichen weaves together drawings and photographs made by the artist in the desert of the western United States. The photographs depict desert landscapes, images of lichen, as well as in one instance, the deadliest snake in North America. The drawings, which are watercolor and indigo pigment on lichen-dyed paper are shown surrounding the photographs. The work revolves around the land. Close up views of each drawing are shown on the following page.


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Issue 6

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Put An Egg On It
Issue 6


Published by: R&S Media

52 Pages
14 x 21.5 cm
Paperback
Color offset on green paper
 



Price: £5.00

Put A Egg On It Issue #6 goes down on the farm to Tennessee where Benjy Russell and Corey Towers photograph a sumptuous outdoor dinner gathering. Jessica-Craig Martin and Jack Shamama recount days of New York past while Max Blagg writes of a surprising discovery in a slaughterhouse. The issue also features Drew Mellon's painterly sardine photographs as well as messy kitchens, tasty tips, sandwiches and more pages.


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Dan McCarthy

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Dan McCarthy
Dan McCarthy


Published by: Hassla

24 Pages

16.5 x 20.5 cm

Softcover

Color Offset



Price: £10.00

Published on the occasion of an exhibition at Shoot The Lobster in NYC in February 2013.


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Sol & Luna (Second Edition)

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Viviane Sassen
Sol & Luna (Second Edition)


Published by: Libraryman

 

PRE-ORDER, SHIPPING 10th MAY

 

32 Pages

22,5 x 30,5 cm
Duotone, Offset
2nd Edition of 1000
2013



Price: £37.00

We are please to announce the second edition of the popular Sol & Luna by Viviane Sassen, first published in 2009.

On assignment and initiative from Stockholm based men's clothier Our Legacy and publisher Libraryman - photographer Viviane Sassen (b. 1972, Dutch) has completed a specially made and well-built series of imagery with androgyny and beauty as the key principle.


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Das Poppycock Talent

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Victor Boullet
Das Poppycock Talent


Published by: Frenetic Happiness

All text by Stian Gabrielsen
24 Pages
21 x 29,7 cm
Laser printed feuilleton
Edition of 50
Signed and numbered
2013



Price: £6.00

A continuation of...
Saturn The Flamingo
Yellow Pong Monger
New Campari

----

Das Official Press Release

New paintings by Victor Boullet and a new installment in the literary feuilleton "Mona"! 

J---- is found on the street, beaten to an inch of his life. Left to die on a sidewalk in one of Paris' suburbs, it looks like J---- has simply been the victim an episode of random violence, that is until police investigator Isabelle Litty discovers a string of e-mails sent to J---- from someone who masks themselves as editor of the May Revue, Jeacques Heaulme. Heaulme himself denies any connection to the victim, furthering Litty's suspicion that J---- has been set-up, and that the fact that he is now in a coma is no mere accident...

Mona is in over her head having embarked on a very ambitious dinner menu, and with only two hopeless au pairs to help her out she has decided to go at it alone. But her favorite butcher, Michel on rue des Archives, is located on the other side of Paris and traffic is dense at rush hour. Stuck in a slow-moving cue, Mona falls asleep behind the wheel and wakes to find herself in a world of trouble. Will she get the ox-tails in time to prepare Escoffiers challenging soup recipe for her guests? And what will Lionel have to say about the condition of his Porsche?

While all this is going on, Victor Boullet is in Vienna attending a concert at the immaculate Musikverein with his favorite violinist Ann-Sophie Mutter and the London Philharmonic Orchestra. His immersion in the music is near complete, only impeded by the conductor, who's presence Victor feels bars his access to the divine Mutter. 

Back in his hotel after the concert, a premonition of imminent pain and deformation haunts him as he drifts off to sleep, immersed in Schubert's tragic biography.

Mona was woken up by a slight thump. 

She realized she had grazed the bumper in front of her. Immediately she straightened her back and shook her head to wake herself. She felt frightened. The car in front stopped. Mona stepped on her brakes. Someone got out. He looked angry. Jesus, she didn’t have time for this. What’s his problem? She had barely grazed his bumper, and he got out in mid traffic, strutting over like he owned the street. All kinds of unfriendly emotions were on the rise. He leaned down and knocked on her driver's side window. Mona ignored him and kept staring straight ahead. He knocked again. Mona turned slowly to face him. 

He was in his forties with thin blond hair and a grey cotton suit. His face was bland, his eyes a pallid light blue, his cheeks drooping. He looked like he could be a banker. He signalled to her that she needed to roll down her window so they could have a conversation. Mona shook her head. He was saying something and pointing to his car. Mona shrugged and forced a condescending smile and said, - Je n’ai rien à foutre de toi, petit con, alors casse toi. She kept smiling as she said this, keeping her voice low so he couldn't hear it. The man was looking furious all the same. 

The banker hadn't expected this kind of treatment. He stood up for a moment, the hunched position probably a strain on his weak back, and stretched, then he suddenly shot his hand out and grabbed the door handle and opened Mona's door. Mona was caught off guard but responded swiftly by grabbing the door handle on the inside with both hands and tried pulling it shut.

www.neocampari.com

 

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No. 38

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Mousse Magazine
No. 38


Published by: Mousse Publishing

 

26.5 x 37.5 cm
Newsprint
Bimonthly
2013


Price: £8.00

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.

STARRING
JAMES BENNING
On the Real and the Reel: In Conversation with James Benning
by Bruce Jenkins
TALKING ABOUT
Thoughts About Curating Moving Images
by Erika Balsom, Maeve Connolly and Chrissie Iles in conversation with Filipa Ramos
OTTO PIENE
Light, Energy, Life: Otto Piene 85
by Ute Meta Bauer and Fender Schrade
TALKING ABOUT
by Caitlin Jones
ALEX BAG & JORDAN WOLFSON
Stage Fright
TALKING ABOUT
Conversations at the Margins
by Joselina Cruz, José Roca and Bisi Silva in conversation with Adriano Pedrosa
NARI WARD
Looking Beyond
by Anna Daneri
TRAJAL HARRELL, STEFFANI JEMISON, RALPH LEMON, OKWUI OKPOKWASILI, WU TSANG
Feeling Conceptual
by Thomas J. Lax
LENA HENKE
Street Material
by Judith Hopf
NICE TO MEET YOU: MATHIEU MALOUF
A really relaxing relieving work environment
by Liam Gillick
NICE TO MEET YOU: ELOISE HAWSER
From the ruins of the present
by Alex Ross
NICE TO MEET YOU: DAVID HORVITZ
What Color Is Your Parachute, David Horvitz?
by Jacob Fabricius
 
AGENDA
 
BOOKS
by Stefano Cernuschi
TALKING ABOUT
Printing Problems
by Linda Mai Green
JESSICA MORGAN AND ANN TEMKIN IN CONVERSATION WITH JENS HOFFMANN
The Museum as Spectacle
BERLIN PAULINE BOUDRY & RENATE LORENZ
Queer Archaeology
by Anne-Sophie Dinant
LONDON OLIVIA PLENDER & PATRICK STAFF
Alternative Systems
by Laura McLean-Ferris
NEW YORK SERGEI TCHEREPNIN
All the Right Noises
by Simon Castets
LOS ANGELES ROBERT KINMONT
My Favorite Dirt Roads: The Work of Robert Kinmont
by Andrew Berardini
TALKING ABOUT
Sweet Dreams
by Jennifer Allen
PETER WÄCHTLER
Englisch Literature
by Jamie Stevens
TALKING ABOUT
Artwork
by Ana Teixeira Pinto
ED ATKINS & ELIZABETH PRICE
The Dark Side of Pop
PIOTR UKLANSKI
Sorry I Am Not Sorry (for Polish Neo-Avantgarde)
by Adam Szymczyk
 
DIARY

 


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