Marina Gadonneix & Marcelline Delbecq
Landscapes
Published by: RVB Books
Price: £42.00
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204 pages
29 x 29 cm
Hardcover
28 pages
35 x 28 cm
Offset
Edition of 150
2010
Katja Stuke's series Supernatural shows male and female athletes, who mentally somehow seem to be somewhere else - absent in their concentration, shortly before their athletic peak performance. A skill to ignore the whole environment, thousands of people in the audience, the noise level, everything that surrounds them. Because all eyes are set on them, the main characters, and exactly this concentration is crucial for their success. The images of gymnasts and high-divers have been taken during the Olympic Games in Sydney (2000), Athens (2004) and Peking (2008). All portraits have been photographed from the television screen. One can still see the grids, the rest of the television features, like stations or the fade-ins have been removed. You can clearly read the tension in the young faces just before the performance. The ambition, the iron will can obviously be seen, the talent can be sensed. And exactly this interplay between body and mind forms the fascination, which the event of the Olympic Games provokes.
72 pages
32.5 x 24.3 cm
2012
Concept and Design by Oliver Thieves, with a text by Mariko Takeuchi.
19 pages
45.8 x 31.6 cm
2013
With texts and statements by Manuela Barczewski , Michael Biedowicz , Laura Bielau, Janine Blöß, Sophie Boursat, Ulrike Brückner, Swen Buckner, Ben Burbridge, Olivier Cablat, Charlotte Cotton, Joerg M. Colberg, Christoph Dettmeier, Felix Dobbert, Jason Evans, Martin Fengel, Rainer Gabriel , Stefanie Grebe, Allison Grant, Stephen Gill, Stefanie Haarkamp, Sebastian Hau, Robert Hartmann, Marvin Heiferman, Yoshinori Henguchi, Elmar Hermann, Christoph Hochhäusler, Todd Hido, Iris Maria vom Hof, Anton Ignaz, Mischa Kuball, Thomas W. Kuhn, Karin Krijgsman, Doris Krystof, Christiane Kuhlmann, Jeffrey Ladd, Jason Lazarus, Peter Lindhorst, Thomas Neumann, Gordon MacDonald, Ted Partin, Ulrich Pohlmann, Doug Rickard, Judith Samen, Adrian Sauer, Ken Schles, Joachim Schmid, Sigrid Schneider, Wilhelm Schürmann, Thomas Seelig, Oliver Sieber, Alec Soth, Juergen Staack , Eric Stephanian, Clare Strand, Katja Stuke, Mariko Takeuchi, Anke Volkmer, Thomas Wiegand, Denise Winter, Erik van der Weijde, Duncan Wooldridge, Anna Zika, Damian Zimmermann.
32 Pages
28 x 35 cm
B&W Offset
Softcover
2012
36 Pages
30 x 38 cm
Colour Offset
Hardback cover
2012
24 pages
19 x 26 cm
Colour Offset
Hardcover
2011
196 Pages
24 x 16.8 cm
Softcover
Colour Offset
2013
The White Review is a London-based arts and literature journal. Now in its seventh print issue, each edition of The White Review combines a unique collection of new fiction and poetry, interviews and essays, and original works of art and photography, by emerging talents and established names.
36 Pages
25.5 x 19 cm
Clothbound hardcover
Color offset
2013
Lichen, Lichen weaves together drawings and photographs made by the artist in the desert of the western United States. The photographs depict desert landscapes, images of lichen, as well as in one instance, the deadliest snake in North America. The drawings, which are watercolor and indigo pigment on lichen-dyed paper are shown surrounding the photographs. The work revolves around the land. Close up views of each drawing are shown on the following page.
52 Pages
14 x 21.5 cm
Paperback
Color offset on green paper
Put A Egg On It Issue #6 goes down on the farm to Tennessee where Benjy Russell and Corey Towers photograph a sumptuous outdoor dinner gathering. Jessica-Craig Martin and Jack Shamama recount days of New York past while Max Blagg writes of a surprising discovery in a slaughterhouse. The issue also features Drew Mellon's painterly sardine photographs as well as messy kitchens, tasty tips, sandwiches and more pages.
24 Pages
16.5 x 20.5 cm
Softcover
Color Offset
Published on the occasion of an exhibition at Shoot The Lobster in NYC in February 2013.
PRE-ORDER, SHIPPING 10th MAY
32 Pages
22,5 x 30,5 cm
Duotone, Offset
2nd Edition of 1000
2013
We are please to announce the second edition of the popular Sol & Luna by Viviane Sassen, first published in 2009.
On assignment and initiative from Stockholm based men's clothier Our Legacy and publisher Libraryman - photographer Viviane Sassen (b. 1972, Dutch) has completed a specially made and well-built series of imagery with androgyny and beauty as the key principle.
All text by Stian Gabrielsen
24 Pages
21 x 29,7 cm
Laser printed feuilleton
Edition of 50
Signed and numbered
2013
A continuation of...
Saturn The Flamingo
Yellow Pong Monger
New Campari
----
Das Official Press Release
New paintings by Victor Boullet and a new installment in the literary feuilleton "Mona"!
J---- is found on the street, beaten to an inch of his life. Left to die on a sidewalk in one of Paris' suburbs, it looks like J---- has simply been the victim an episode of random violence, that is until police investigator Isabelle Litty discovers a string of e-mails sent to J---- from someone who masks themselves as editor of the May Revue, Jeacques Heaulme. Heaulme himself denies any connection to the victim, furthering Litty's suspicion that J---- has been set-up, and that the fact that he is now in a coma is no mere accident...
Mona is in over her head having embarked on a very ambitious dinner menu, and with only two hopeless au pairs to help her out she has decided to go at it alone. But her favorite butcher, Michel on rue des Archives, is located on the other side of Paris and traffic is dense at rush hour. Stuck in a slow-moving cue, Mona falls asleep behind the wheel and wakes to find herself in a world of trouble. Will she get the ox-tails in time to prepare Escoffiers challenging soup recipe for her guests? And what will Lionel have to say about the condition of his Porsche?
While all this is going on, Victor Boullet is in Vienna attending a concert at the immaculate Musikverein with his favorite violinist Ann-Sophie Mutter and the London Philharmonic Orchestra. His immersion in the music is near complete, only impeded by the conductor, who's presence Victor feels bars his access to the divine Mutter.
Back in his hotel after the concert, a premonition of imminent pain and deformation haunts him as he drifts off to sleep, immersed in Schubert's tragic biography.
Mona was woken up by a slight thump.
She realized she had grazed the bumper in front of her. Immediately she straightened her back and shook her head to wake herself. She felt frightened. The car in front stopped. Mona stepped on her brakes. Someone got out. He looked angry. Jesus, she didn’t have time for this. What’s his problem? She had barely grazed his bumper, and he got out in mid traffic, strutting over like he owned the street. All kinds of unfriendly emotions were on the rise. He leaned down and knocked on her driver's side window. Mona ignored him and kept staring straight ahead. He knocked again. Mona turned slowly to face him.
He was in his forties with thin blond hair and a grey cotton suit. His face was bland, his eyes a pallid light blue, his cheeks drooping. He looked like he could be a banker. He signalled to her that she needed to roll down her window so they could have a conversation. Mona shook her head. He was saying something and pointing to his car. Mona shrugged and forced a condescending smile and said, - Je n’ai rien à foutre de toi, petit con, alors casse toi. She kept smiling as she said this, keeping her voice low so he couldn't hear it. The man was looking furious all the same.
The banker hadn't expected this kind of treatment. He stood up for a moment, the hunched position probably a strain on his weak back, and stretched, then he suddenly shot his hand out and grabbed the door handle and opened Mona's door. Mona was caught off guard but responded swiftly by grabbing the door handle on the inside with both hands and tried pulling it shut.
Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.