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Issue 8

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Printed Pages
Issue 8



Published by: It's Nice That

27.5 x 20 cm Softcover Spreads coming soon.

£5.00

John Short’s cover shoot of an intriguing pair of reverse footprints sets the tone for the Winter issue of Printed Pages. Inside we discuss art, fame and Desert Island Discs with Jeremy Deller, explore Kenzo’s dynamic culture of creative collaboration and go treasure hunting with filmmaker Tomas Leach. Raymond Briggs reflects on growing old and what home means to him, Studio Swine discuss their innovative way of looking at the world and we pick out some of the highlights from counterculture bible The Whole Earth Catalog. We celebrate graphic brilliance from ten years’ worth of Kemistry Gallery posters, chat to ill Studio about how a skate magazine grew into one of the most exciting creative practices around and dive into Cark Kleiner’s personal photo archive. Elsewhere there’s big hair, brutalist architecture and and a rifle through illustrator Molly Crabapple’s personal possessions, and Kyle Platts putting down nice guys.  


Toilet Fail

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Thomas Mailaender
Toilet Fail



Published by: RVB Books

50 pages 13 x 21 cm Softcover Edition of 200 2014 

£11.00

Following « SOTP » and « CRY ME A RIVER », « TOILET FAIL » is the last title of Thomas Mailaender’s small books decicated to disconcerting practices found on the internet. This opus lists a number of toilet fail.

The Miraculous

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Raphael Rubinstein
The Miraculous



Published by: Paper Monument

72 page 13.5 x 21.5 cm Softcover 2014

£11.00

The book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka’s Parables than Vasari’s Lives of the Artists, Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call “contemporary art.” Each of the fifty episodes in The Miraculous is a richly detailed telling of the circumstances surrounding a single work of art; only the name of the artist is withheld until the end of the book. As Michael H. Miller wrote describing the book in ARTnews, “the works take on the icy detachment of a Lydia Davis story, a floating concept with no clear context. Distilled to only an idea, the pieces bask in their more intriguing narratives and separate themselves from the heavy baggage of authorship and intention.” The Miraculous includes writing on fifty artists such as Joseph Beuys, Yoko Ono, Marina Abramovic, Lee Lozano, Tseng Kwong Chi, Cindy Sherman, David Hammons, and R.H. Quaytman. Raphael Rubinstein is a New York-based poet and art critic. Among his books are Polychrome Profusion: Selected Art Criticism 1990-2002, The Afterglow of Minor Pop Masterpieces, and The Cry of Unbalance. From 1997 to 2007 he was a senior editor at Art in America, where he continues to be a contributing editor. He is currently professor of critical studies at the University of Houston School of Art. In 2002, the French government presented him with the award of Chevalier in the Order of Arts and Letters.

Freece

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Renato D'Agostin
Freece



Published by: Automatic Books

32 pages 24.5 x 24.5 cm Four Colour Lithograph Printed Edition of 1000

£14.00

Frecce is the first body of work in color by the Italian photographer Renato D’Agostin. Frecce Tricolori (literally “Tricolour Arrows”), officially known as the 313° Gruppo Addestramento Acrobatico, is the aerobatic demonstration team of the Italian Aeronautica Militare, based in the north-eastern Italian region of Friuli Venezia Giulia. Every year in Jesolo Lido, a seaside resort near Venice, Italy, Frecce Tricolori entertain thousands of people with colourful and eye-catching stunts, has become a tradition of the Italian summer in Jesolo. Photographer Renato D’Agostin attended the show in August 2014 and created a series of photographs depicting the acrobatic movements of the aircrafts, their dense traces of smoke, an admiring audience, and, most of all, the sky painted in green, white and red.  

Vol.27

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Shumi No Bungubako
Vol.27



Published by:

152 pages 21 x 28.5 cm Japanese 2014

£21.70

Fountain pens, ball point, nibs, clips, tops... These are just some items of stationary featured in cult issue Vol.27 of Shumi No Bungubako. You'll also find vintage pen feeds, filofaxes and inks to satisfy your stationary needs. 

Palimpsest

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Sebastien Capouet
Palimpsest



Published by: Théophile's Papers

56 pages 19.5 x 29.5 cm Softcover Edition of 500

£30.00

Sébastien Capouet’s Palimpsest gathers a body of photographs taken between 2011 and 2014, in parallel with the artist’s pictorial practice. This object-book induces, via playful folds and successive intervals, rhythmic gestures in the reader. The principle is that of the palimpsest, in which successive strata echo both the different layers enveloping the characters staged in the photographs, and the deserted landscapes – sites of memory – in which they evolve. Within Sébastien Capouet’s oeuvre, the body of photographic images presents itself as a transitory, liminal space, as a condition for the abstraction of the painted canvas. The chosen abstraction allows the artist to concentrate the attention of the spectator on the processes at play. These processes of effacement, in his paintings just as much as in his images/photographs, depend less on subtraction than on additions, superimpositions and saturations.

Eye Black Book

Frecce

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Renato D'Agostin
Frecce



Published by: Automatic Books

32 pages 24.5 x 24.5 cm Four Colour Lithograph Printed Edition of 1000

£14.00

Frecce is the first body of work in color by the Italian photographer Renato D’Agostin. Frecce Tricolori (literally “Tricolour Arrows”), officially known as the 313° Gruppo Addestramento Acrobatico, is the aerobatic demonstration team of the Italian Aeronautica Militare, based in the north-eastern Italian region of Friuli Venezia Giulia. Every year in Jesolo Lido, a seaside resort near Venice, Italy, Frecce Tricolori entertain thousands of people with colourful and eye-catching stunts, has become a tradition of the Italian summer in Jesolo. Photographer Renato D’Agostin attended the show in August 2014 and created a series of photographs depicting the acrobatic movements of the aircrafts, their dense traces of smoke, an admiring audience, and, most of all, the sky painted in green, white and red.  


Issue 48

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Brownbook
Issue 48



Published by:

204 pages 26 x 21 cm Softcover 2014

£6.50

Tea ladies, tuk-tuks, radical poetry and film factories - Brownbook visits Sudan's complicated capital.

Volume 5

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Odiseo
Volume 5



Published by:

104 pages 27 x 15 cm Hardcover 2015 

£10.00

Volume 5 delves into the topic of humour with Laura Gardner’s essay on fashion comedy, Fiktion’s first contribution - Rajeev Balasubramanyam’s Starstruck (part 5) and Johan Jonsson’s series Luscious.  Featuring photography by Philippe Gerlach, Arnaud Lajeunie and Pol Agusti.  Odiseo Volume 5 closes with Luis Cerveero’s views on Sam Haskins’ work. 

Issue 1

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Collection of Documentaries
Issue 1



Published by:

21 x 27 cm Softcover 2015  Pre-order your copy, to be dispatched mid February 2015.  

£20.00

C.O.D is a body of work, a collection of documentaries, exploring British culture in a modern day society and challenging contemporary views on "REAL BRITAIN". Considering ways in which Britain has influenced youth worldwide, a selection of photographers, writers, and creatives alike have curated a collaborative body of work in a celebration of what we believe is "REAL BRITAIN". ADAM PETER HICKS BENJAMIN MALLEK ELIZABETH GREGORY ERJAN BORREN EWAN MITCHELL FLOURENT ROUTOULP JOOST VANDENBRUG LASSE DEARMAN LYDIA GARNETT MATT LAMBERT PAUL JOYCE PIERRE LUC BARON MOREAU SALVATORE CAPUTO SONYA KYDEEVA STUART GRIFFITHS WINTER VANDENBRINK

Issue 1

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Gomma Records
Issue 1



Published by:

30 x 23 cm Edition of 300 2014 

£16.00

Made by Borsche & Jartsolis AKA Smalpaze for Gomma Label.  Guest contributions by: P.A.M, Fengel, Josefsohn, Mukduis, Modica, Roder, the Rammellzee.  

Development

Stairs ETC

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Marianne Mueller
Stairs ETC



Published by: Edition Patrick Frey

480 pages 22 x 33.5 cm Softcover Colour Offset

£52.00

Over the years Marianne Mueller has accumulated an archive of photographs taken both at home and on extended journeys. Completely nonhierarchical, the pictures capture whatever strikes the artist’s fancy. In STAIRS ETC, her archive has supplied the copious images of the designed and built world around us. Laid out in double-page blocks and organized by the simplest of categories (from chairs and tables to fountains and pools), the photographs emulate a pseudo-encyclopedic overview of ordinary objects captured with eloquent nonchalance and a discriminating eye for what we tend to write off as irrelevant and insignificant. Mueller invites us on a journey as absurdly comical as it is poetic, where we find ourselves meandering through the miracles and madness of a universe that is chock-full of things.

5 Comes After 6

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Yurie Nagashima
5 Comes After 6



Published by: Bookshop M

26.5 x 19 cm Softcover Colour Offset Edition of 700 Signed 2014

£21.00

Brilliant artists put their whole life into their creative endeavours. For the photographer, that means lugging heavy equipment and heading out (both physically and mentally) beyond the known. Animal-like powers of concentration in order not to miss a picture opportunity. Determination to achieve perfect lighting and composition. Intelligence backed up by subjectivity and positivism.  But for twelve years, it wasn't that way with me. Day in day out, breast-feeding once every two hours. I broke up with my partner who wanted nothing to do with all that.  Whatever, little by little I learned: one can only do what one can. Photos of home life and trains taken with a lightweight easy-focus camera. Scenes with obstacles in the way. Loveable niceties. A peacable (?) world reflected in the mirror. 


New Management

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Simon Denny
New Management



Published by: Mousse Publishing

369 pages 15 x 22.5 cm Softcover  

£34.00

“New Management” refers to the legendary management philosophy that Lee Kun-hee, Chairman of the Samsung Group, infamously introduced in the early nineties. “The New Management” principle was first proclaimed in 1993 at a high-level executive meeting at the Kempinski Hotel Frankfurt Gravenbruch near Frankfurt am Main International Airport. Lee flew in his entire top management from around the world for a three-day conference, emphasizing the need to globalize and preparing his employees for a new philosophy of change he was going to introduce in order to turn Samsung into a global market leader in all its sectors. This seminal meeting became known within the company as the “Frankfurt Declaration.” In the introduction to the publication, Simon Denny writes: “In Portikus one sees a fantastic conglomeration of material that tries to monumentalize [Samsung’s] powerful cultural message; arranging imagined and remade objects around excerpts from Lee Kun-hee’s texts and Samsung’s history. I’ve tried to stay close to the context it describes: the global material language of corporate pride and presentation.” In commissioning two different English translations of New Management, a publication in Korean about the philosophy and history of Chairman Lee’s legacy, Denny investigates existing hierarchies. On the one hand, the material carries with it extremely specific cultural and economic meaning and value, and on the other, it forms a part of global culture and public information. The same goes for Samsung’s comic version of New Management and the inclusion of Sam Grobart’s article on Samsung that originally ran in Bloomberg Businessweek. Denny levels the role of the artist with those of the professional from a tech company, a journalist, an independent contractor hired through freelancer.com, and finally the viewer of the work.  

Painting, Drawing & Sculpture

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Gedi Sibony
Painting, Drawing & Sculpture



Published by: Mousse Publishing

144 pages 21 x 27.5 cm Softcover  

£25.00

“Objects live their lives, going from place to place, just like the rest of us. Their moods change. Some have different temperaments than others—there are the bullies, the nerds, the dandies, the punks, the hippies, the pranksters, the playboys. They have a mind of their own. Gedi Sibony’s studio has a mind of its own. Ideas come and go, people pass through, decisions are made, problems get solved. There’s enough room to walk around, but there is also a significant amount of stuff in the way—crates, ladders, furniture, rolls of fabric, sheets of cardboard, stored artworks, empty food containers, children’s toys. As any new object arrives, another moves slightly out of the way.” - Anthony Huberman Painting · Drawing & Sculpture, Collected Works · Gedi Sibony, Volume III brings together a selection of works made over the last fifteen years by Gedi Sibony (b. 1973, New York), alongside texts by Dan Byers, Michael Darling, Sarah French, Agnes Gund, Anthony Huberman, John Hutchinson, Emily Rauh Pulitzer, Conny Pur till, Tara Ramadan, Yasmil Raymond, Ami Sibony and others, inspired by the evocative power of the American artist's sculptures and installations. 

The Patriarch’s Wardrobe

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Nick Waplington
The Patriarch’s Wardrobe



Published by:

66 pages 29 x 23 cm Hardcover

£30.00

New York-based photographer and artist Nick Waplington's new book, The Patriarch's Wardobe, features paintings and photographs capturing landfill sites south of the city of Hebron – landscapes once acknowledged as Palestine. These works document the life of scavenging through landfill from Jewish Settlements, where each landscape depicted represents a disputed area. Stunningly published complete with slipcase by Perks and Mini Books.

cut in Cannes

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Mathew Hale
cut in Cannes



Published by:

106 pages 29 x 23 cm Hardcover

£35.00

In UK artist Matthew Hale’s works, book pages, text fragments, graphic structures and figures in ink, as well as photographic moments of reality, are combined into new visual structures, according to the collage principle. Found and invented things are combined and confront each other as different layers of reality, directly entering into a narrative structure. These new combinations inevitably challenge the beholder to read the recoded visual elements in their (new) context. Through the combination of new content in the picture, creating a narrative by way of collage, Hale questions both their historical construction as well as current ways of functioning. 

Ed Ruscha

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