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Issue 3

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Ponytale
Issue 3



Published by:

240 pages 28 x 21.5 cm Softcover 2015

£13.00

Ponytale is magazine based in Madrid and NY that interprets the real female culture of today. The magazine shows a realistic portrait of the "new girl" appeared in the twenty-first century exploring life from a post-feminist perspective. Ponytale Issue No. 3 is the biggest issue yet and we know bigger is better. In this edition with two special, unique covers featuring Maria Palm and Ali Michael, you will find collaborations from some of the best female artists around: Monika Mogi, Kate Cooper, Bree Zucker, Kathy Lo, Alice Rosati, Pierre Ange-Carlotti, Cocó Capitán, Laura Kampman, Bea Fremderman, Carly Mark, Laura Jiménez, Clara Deshayes, Silvia Bianchi, Lliure Briz, Laura Albert, Luna Miguel, Alice Rosati, Juanma Moncloa, Laura Carrascosa, Hanna Nilsson and Sanna Helena Berger. We know you’ll enjoy it! Take care and comb your hair.


Pro Anatomy

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Casja Von Zeipel
Pro Anatomy



Published by: Capricious Magazine

22.5 x 30.5 cm Hardcover Colour Offset 2015

£37.00

Pro Anatomy is the first catalog of Swedish artist Cajsa von Zeipel’s work from 2007 to 2015. Divided into three parts, the book presents the artist’s obsession with her own body as it relates to her diverse practice, from her signature sculptures to her most recent work, 1:1, a project that represents a new direction for the artist in her engagement with the human form. Using a CAT scan of her body, von Zeipel 3D-printed a replica of her own skeleton, continuing her investigation into the body’s aesthetic—and scientific—complexities when it is stripped to muscle and bones. Whereas much of her work has dealt with the surface of the body, 1:1 cuts to the bone. Featuring new essays by writers Andrew Durbin, Chris Ford, Stefanie Hessler, Sarah Nicole Prickett, and Lyndsy Welgos, Pro Anatomy also includes an introductory text by the artist as well as A-Z, a poetic script for a 2009 sound piece. In her introduction to the book, “Bad Sad Mad Glad,” the artist writes intimately about her practice, covering her range of interests, from installation work and classical sculpture to Tom of Finland and new media. “I have always fed on the border,” she writes, “where things are simultaneously appealing and scary—works that move from the attractive to the repulsive, grotesque, and studied.” Von Zeipel’s sculpture deals directly with the cosmetic and social discourses that influence how the body is imaged and actualized. In Pro Anatomy, she introduces the myth of Narcissus as integral to how she conceptualizes her practice. In doing so, von Zeipel presents her work as it relates—and responds—to the ways our bodies are idealized, altered, and presented in life and in media. Threading in images from a CAT scan of her body throughout the book, von Zeipel offers a new perspective in her continuing engagement with the human form. Pro Anatomy presents von Zeipel’s story—what Chris Ford writes is a “story of self and narcissism, techne, and courage, and audacity and hermeneutics and talent and heart and soul, deep intelligence, epistemology, too”—in a dynamic, comprehensive 

Modoru Okinawa

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Keizo Kitajiwa
Modoru Okinawa



Published by: Gomma Books

136 pages 17.5 x 24 cm Hardcover BW Offset 2015 Edition of 1000

£35.00

1975. Okinawa, Japan. The Vietnam War has just ended. Koza City is where the Kadena U.S. Air Force base is located. The B-52s that attacked North Vietnam took off from here. With the end of the war the city becomes the epicenter of a celebrative rush that lasts for a few years. The city experiences a momentary crazed and raucous time. A cacophonic spell where Japanese culture collides and becomes intimate with African-American trends and culture. Ultimately it became a successful, popular shock wave. It all dies off with the advent of the 1980s. Keizo Kitajima visits Koza city regularly during those years and he executes a vital work, a crucial and important piece of documentary photography. During those years Keizo realizes that the photographic exploration of reality is everything but small talk or commentary: it is an observation detached from any sentimentalism, a way to go further than what meets the eye and to document what is beyond the simple appearance. This is Modoru Okinawa by Keizo Kitajima. Texts by Christian Caujolle.

Issue 2

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The Great Discontent
Issue 2



Published by:

160 pages 23 x 30 cm Softcover Colour Offset 2015

£18.00

The second print issue revolves around the theme of hustle and implores us to reconsider the idea of making it—both how we do it and how we define it.  Filled with nine long-form interviews and three featurettes, it offers a candid glimpse into the lives of those who create for a living. Each story is a reminder that more often than not, we have to work hard to carve out a path to doing the work we love. The Great Discontent, Issue Two, includes 9 long-form interviews and 3 featurettes with:  Sharon Van Etten / Samantha Pleet / Jon Contino / Kevin Allison / Keith Ehrlich / Molly Crabapple / Eric Ryan Anderson / Dana Tanamachi / Paul Octavious / Michael Cina / Ren Rox / Rebecca Rebouché

Volume 4

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Desillusion Magazine
Volume 4



Published by:

258 pages 22 x 29 cm Hardback 2015  

£13.50

« To the sea »  260 pages including: • Photo essays by Czar Kristoff, Alana Peterson & Aaron Wynia. • Interviews with Leo Fitzpatrick & Johnny Schillereff. • An immersion into the minds of Fergal Smith & Ford Archbold. • Essays on big wave surfing with Benjamin Sanchis & the new state of snowboarding by Bryan Fox. • Fashion editorials by Pierre David & Jenavieve Belair. • Jason Jessee Home: We visit the home of one of the most influential skateboarders of all time.   • A visit to the hospital bedside of Olympic gold medalist Iouri Podladtchikov.   • A discussion with skateboarder Maxime Geronzi about his forgotten dreams.   • An immersion into Leo Fioravanti's family in Rome, to discover more about surfing's latest phenomenon. • A wild adventure with Brad Westcott on a hobo-train, skateboarding trip. • An essay by Thomas Campbell on his love for Morrocco.• An immersion into the life of DIY tattoo artist & skateboarder Don Nguyen. • Discussions & photo essays with Black Flag member Spot & Panama skateboarder Rafael Gonzalez. • A special fanzine section by French snowboard phenomenon Arthur Longo. & much more.  Cover photograph by Bryan Fox

Issue 3

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Smoke Room
Issue 3



Published by:

24 pages 15 x 23 cm Softcover Colour Offset Edition of 200

£10.00

Launched in 2013 and based in Toronto Smoke Room aims at publishing the work of young photographers and artists. Smoke Room is Halina Jakowenko. This issue features the work of Sergiy Barchuk.

Issue 4

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Smoke Room
Issue 4



Published by:

24 pages 23 x 15 cm Softcover Colour Offset Edition of 200  

£10.00

Launched in 2013 and based in Toronto Smoke Room aims at publishing the work of young photographers and artists. Smoke Room is Halina Jakowenko. This issue features the work of Eddie O'Keefe.

Issue 5

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Smoke Room
Issue 5



Published by:

28 pages 20 x 20 cm Softcover Colour Offset Edition of 200

£10.00

Launched in 2013 and based in Toronto Smoke Room aims at publishing the work of young photographers and artists. Smoke Room is Halina Jakowenko. This issue features the work of Jon Dragonette.


Paradise

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Will Boone
Paradise



Published by: Karma

88 pages 20 x 27 cm Softcover Edition of 500

£14.00

Paradise is made up of photographs Boone took during his show at the Rubell Family Collection in Miami. Black and white images of Boone's New York studio and the sunny Florida coastline appear full bleed in this slender publication.

Prison Rodeo

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Will Boone
Prison Rodeo



Published by: Karma

48 pages 22 x 27 cm Softcover Colour Offset Edition of 750

£14.00

Prison Rodeo catalogues reference photographs used in Boone's practice over the last several years. From heavy metal to Elvis to the American South, the artist's influences are displayed as side by side colour images in diverging order.

The Long Count

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Dan Colen
The Long Count



Published by: Karma

64 pages 21 x 30 cm Softcover Colour Offset Edition of 500  

£17.00

The Long Count documents Colen's latest show at the Walter De Maria building in New York's East Village, a block away from where Colen and Ryan McGinley shared an apartment over a decade ago. An examination of the cyclical nature of time, the publication includes photographic and narrative references to the events that have shaped Colen's artistic career.

Ray Johnson

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Ray Johnson
Ray Johnson



Published by: Karma

296 pages 32 x 24 cm Hardcover Edition of 1000

£30.00

AN EARLY PARTICIPANT IN BOTH THE POP AND FLUXUS MOVEMENTS, RAY JOHNSON CREATED COMPLEX, PUNNING WORKS THAT INGENIOUSLY COMBINE TEXT AND IMAGE, CELEBRITY CULTURE AND ART HISTORY, WIT AND MELANCHOLY. FIGURES SUCH AS MICKEY MOUSE, ELVIS PRESLEY, JAMES DEAN, MICHAEL JACKSON, AND CALVIN KLEIN MODELS POPULATE HIS MANY COLLAGES—A CANDID FORESHADOWING OF CURRENT SOCIETAL OBSESSION. PUBLICATION INCLUDES 296 COLOR REPRODUCTIONS OF DRAWINGS, INTERVENTIONS AND OTHER EPHEMERA FROM JOHNSON’S ESTATE. 

Issue 2

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Moon Magazine
Issue 2



Published by:

150 pages 18 x 24 cm Softcover 2015  

£10.00

A magazine put together by womenswear designer, stylist and art director Verity Pemberton. This nearly entirely visual second issue features editorials with models Emma, Rosa, Connie and more. Interviews with antique dealers - Jo, Estefi & Ernie and Andrew. Photographs from Josie Gealer, Amelia Pemberton, Sylvain Homo and more!  

Prismatic Tracks

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Bryan Graf
Prismatic Tracks



Published by: Conveyor Editions

48 pages 23 x 30 cm Softcover Colour Offset Edition of 250

£20.00

The inventive photographer, who works in Maine, has dispensed with the camera in his beautiful new pictures, which were made using coloured gels, mesh netting and light. Graf’s photograms feel in process, as if the fabric were still moving, refracting and layering gossamer passages of magenta, rose, and acid green. Walead Beshty has made similarly colour-rich abstractions at this scale, but Graf’s materials give his work more texture and an exhilarating buoyancy.

Anthony No Name At Gmail Dot Com


Issue 2

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The Happy Reader
Issue 2



Published by: Penguin

64 pages 17 x 24.5 cm Softcover  

£3.00

THE HAPPY READER is a unique magazine about reading for anyone who wishes to stay inspired, informed and entertained. With beautiful typography, the magazine is a design object which celebrates the pure pleasure of reading and the calming luxury of being offline. Each issue is split into two halves. The first half is an in-depth interview with a book fanatic and the second half gets under the skin of one classic work of literature. The coolest girl in a band, Kim Gordon, graces our spring issue. She talks books, music, writing, art and bad TV habits. Then Kakuzo Okakura’s THE BOOK OF TEA inspires our journey from the tea houses of Japan to the florists of Paris and over to the prisons of England. Read this issue with the perfect brew.

Spring Issue

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Hotshoe
Spring Issue



Published by:

21.5 x 28 cm Softcover 2015

£9.00

In the Spring issue of HOTSHOE, we get tied up in knots over Nobuyoshi Araki’s Marvelous Tales of Black Ink; look back at William Klein’s 1952 experiments with abstraction in Black + Light; take lyrical journeys across the United States with Alec Soth in Songbook and with Mike Brodie in Tones of Dirt and Bone; question the media’s grip on reality in Klara Källström & Thobias Fäldt’s Wikiland; wonder about the serendipity of envelopes in Peter Piller’s Umschläge; and marvel at the hedonism of 1970s New York and its most famous night spot with Tod Papageorge in Studio 54. HOTSHOE also pairs Federico Clavarino Italia O Italia with a specially commissioned short story from Joe Ahearne; talk to the founder of Photo London, Michael Benson; look into how one starts collecting photography with Tristan Lund; and much more.

Issue 7

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Noble Rot
Issue 7



Published by:

Approx 98 pages 17 x 23 cm Softcover 2015

£8.00

Noble Rot magazine is the home of exciting wine and food writing. Since its launch in February 2013 Noble Rot has seen chefs Fergus Henderson, Valentine Warner and José Pizarro rubbing shoulders with artists like LCD Soundsystem, Lily Allen and David Shrigley, blurring the boundaries between gastronomy and the creative arts.  Contributors include cult Scottish author John Niven, Robert Parker’s Neal Martin, The River Café’s Emily O’Hare, Jamie Goode, Richard Hemming and Skint Records’ Damian Harris.

Issue 15

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Protein Journal
Issue 15



Published by: Protein Journal

22 x 29 cm Softcover 2015

£5.00

Lads’ mags are dead, a new wave of feminists are taking over the internet and designers are championing unisex fashion.  This issue we publish our Gender Report and reveal why millennials care less about traditional gender divisions, track the technology impacting the debate, meet the people challenging our assumptions about sexual identity and see how we’re moving towards a genderless society.  Aitor Throup: creative director, artist and designer features as our cover star for Protein Journal #15. Inside, we see what drives the 35-year-old Argentinian, find out why brands are clamouring to work with him and discover how he keeps ahead of the competition. Elsewhere, interactive studio Convoy gives us a masterclass in digital content production; Hostem founder James Brown tells us why the future of retail is all about crafting a memorable experience; and lean-startup New Inc reveals its new arts-business hybrid. Plus, our low-down on the latest wearable tech; the instruments changing the way we compose music; how millennial entrepreneurs are turning Jakarta into a hotbed for fashion and food, and the latest global trends changing the way consumers think and act.

New York Posts

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Dan Boulton
New York Posts



Published by: Chinagraph

144 pages 21cm x 29cm Softcover 2014

£24.00

Encompassing portraits, landscape, narrative and abstraction, Dan Boulton’s aesthetic mixes spontaneous documentation and considered composition. New York Posts, represents a turning point in the output of this photographer. The result is a diary of sorts, of five days spent in NYC during July 2014 with no plans other than creating a new body of work and meeting artists of kindred spirit. Using copies of the ever-present daily New York Post as both a record of time spent as well as a medium in itself. Boulton combines clippings and photographs of the newspaper covers with his own photographs in order to structure his narrative. The resultant mixed media body of work sees Boulton return to his earlier practices of the nineties whilst also finding solace in the work of new associates and the streets of downtown New York.

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