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Bayou

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Albert Grøndahl
Bayou



Published by: MTHM

32 pages 16 x 23 cm Softcover 2014

£9.00

Bayou is published together with the exhibition, of the same name, at Exhibit No. 9 (Asbury Park, New Jersey). Photography’s narrative potential interests Grøndahl, not in terms of the logics of straightforward storytelling or the effort to illustrate preconceived and abstract notions, but in the sense that the images may point to a person’s inner life and to the hidden secrets of a place, its cultural meaning or private connotations.  It's an act of confrontation with the alien outside world and with one’s own speechless dreams and emotions.


MK-95

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Albrecht Fuchs
MK-95



Published by: Snoeck

56 pages 31.5 x 31.5 cm Hardcover 2008

£43.00

Kippenberger    Published spring 2008, Albrecht Fuchs’ selection of photographs entitled 'Portraits' has been nominated for the Deutsche Börse Photography Prize 2008. The press had already reacted euphorically to the publication of this book with large photographic spreads (in 'Die Welt' and the 'Frankfurter Rundschau'), crowning the photographer from Cologne the 'artists’ darling'. The fact that this is by no means an exaggeration is illustrated amply by the catalytic, initial series of photographs that Albrecht Fuchs took of Martin Kippenberger during 1995. He accompanied him to Dawson City, to his studio or to the Black Forest and in so doing, served his 'apprenticeship as a photographer', as he puts it. This huge phenomenon Kippenberger – constantly photographed everywhere, fine for many an excellent photographic idea, spontaneous and funny, as many erroneously suppose – did indeed understand his photogenic power very well and used this calculatedly in his dealings with photographers to tease out the most faithful representation of his idea. That wasn’t posing as such, and the degree to which Albrecht Fuchs has allowed himself to be inspired by this process has aided the photographer to find his own independent and sensitive style of portraiture. The book is published in a special format, carefully printed and finished, in a small, limited and signed edition numbering 800 copies.

Future Ruins We Can Visit Now

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Clare Kelly
Future Ruins We Can Visit Now



Published by: Hesse Press

64 pages 16.5 x 22.5 cm Softcover 2014

£17.00

Cali Thornhill DeWitt is a Los Angeles based visual artist. New Rose in Town consists of work and images made in the first six months of 2014. Custom lettered sweatshirts, American flags, signs, and photographs create a personal window of California. Cali founded Teenage Teardrops, a record label focusing on limited edition vinyl releases, and runs the website Witch Hat with his wife, Jenna Thornhill DeWitt.

New Rose in Town

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Cali Thornhill DeWitt
New Rose in Town



Published by: Hesse Press

64 pages 16.5 x 22.5 cm Softcover 2014

£17.00

Cali Thornhill DeWitt is a Los Angeles based visual artist. New Rose in Town consists of work and images made in the first six months of 2014. Custom lettered sweatshirts, American flags, signs, and photographs create a personal window of California. Cali founded Teenage Teardrops, a record label focusing on limited edition vinyl releases, and runs the website Witch Hat with his wife, Jenna Thornhill DeWitt.

salopp 9 till 12

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Salopp Magazine
salopp 9 till 12



Published by:

48 pages 21.5 x 27.5 cm Softcover Edition of 250 2014

£19.00

salopp is an independent magazine for young photography. It provides a space for unknown new work. Founded by a graphic designer and four photographers, salopp presents a wide range of artists, each showing their unique visual world. salopp is published as often as possible. In german and in english. salopp 9 – 12 is the third issue.

No.11

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The Carton
No.11



Published by: Art And Then Some

112 pages 21.5 x 28.5 cm Hardcover 2014

£25.00

Tribes are all around us. There's no need to actively search for them or try to label them. Middle Easterners are the masters of forming tribe-like congregations wherever they drop anchor. This biannual issue of The Carton, examines informal subcultures of Middle Easterners abroad and in their natural habitat, in a special edition of photo essays.

Issue 4

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Gratuitous Type
Issue 4



Published by: Gratuitous Type

72 pages 19 x 25.5 cm Softcover Edition of 2000

£15.00

Issue 4 features interviews and projects from: Claire Huss, Europa, Dries Wiewauters, Table of Contents, Raw Color, Letterproeftuin, Pure Magenta, Kokoro & Moi, Tim Lahan, Emmet Byrne. Each issue includes an blind embossed insert designed and printed by Letterproeftuin.

No.5

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Tissue
No.5



Published by:

132 pages Softcover  2014

£16.00

Portraying Sarah Schoenefeld, Jennifer Abessira, Meghan Edwards (Miss M.E).  Interviewing Joerg Koch of 032C. Showing Zelle Asphaltkultur.  Featuring Martin Eder, Tim Bruening, Roman Schramm, Till Janz & Hendrik Schneider, Maxime Ballesteros, Adrian Crispin, Jonas Lindstroem, Daniel Josefsohn.


Issue 2

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Dogme
Issue 2



Published by: Libraryman

95 pages 23 x 30 cm Softcover 2014

£15.00

With no theme and little order, we present the latest incarnation of Dogme Magazine. Part film industry fanzine, part fashion and photography record, this journal serves as a place to put our thoughts and obsessions down on paper and shed a little light on what keeps us going: creatively, emotionally, and all the spaces in between.

Antarktis

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Gerry Johansson
Antarktis



Published by: Libraryman

64 pages 24.5 x 30 cm Hardcover Edition of 700 2014

£53.00

In 2001, through a grant from the Swedish Polar Research Secretariat, Gerry Johansson (b. 1945, Swedish) traveled to the inaccessible and distinct landscape of Antarctica on a research trip for two months. With him on the journey he had a large-format camera and his fearless curiosity. The series of photos eventuate in an unusual reality relevant perspective, and capture the astonishing non-distance relationship between physicality and nature. The series was exhibited at the Museum of Modern Art in 2003 in Stockholm, Sweden.

Martin Kippenberger, St. Georgen I, 1995

Sheets

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Rinko Kawauchi
Sheets



Published by: Kominek Gallery

152 pages 14 x 21 cm Hardcover 2013

£35.00

Sheets attempts to retrace Rinko Kawauchi’s steps in this world through a reassembly and re-editing of her filmstrips as a reinvented whole. Cinematographic at heart, the sequences of randomly selected contact sheets offer a real-life time lapse, a resurrection of moments in the personal history of the artist and immortalised in some of her more significant publications. The book’s gatefolds mark intervals in this rhythmic crescendo. They contribute, as if under a magnifying glass, to new spontaneous pairings of images. It is all here, fragment by fragment, the elements and patterns of a primal cosmogony of varied affective nuances with their connotations of transcendental immanence—a palimpsest of the everyday that Kawauchi brings together with such astounding ease as if the flow of juxtaposing images were as natural to her as her own biological path in life.   This book contains a selection of contact sheets that spans more than a decade of works. 

Sub Rosa

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Birthe Piontek
Sub Rosa



Published by: Kominek Gallery

16 pages Lepporello 2008

£7.00

Sub Rosa takes us by the hand to lead us back to a magical, mystical place; like a sneak peek behind doors we thought had been closed behind us forever. We catch a glimpse of the unplumbed depth of human souls concealed behind innocent faces and intimate moments, which seem to have originated from our own memories.  By Birthe Piontek

Sous Cloche

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Wytske van Keulen
Sous Cloche



Published by: Kominek Gallery

80 pages 19 x 27 cm Edition of 750 2014

£22.00

Sous cloche brings together Wytske van Keulen’s photographic observations of Saskia and Andrez, two remarkable figures living a secluded life in the rugged mountain landscape of the French Pyrenees. Made over an extensive period of time, this precise selection of still-lifes, portraits and landscapes offers an intimate view of both protagonists, who never met in person. The sequence is interspersed with short personal notes written by the photographer.  Wytske van Keulen (b. 1982 in Bergen op Zoom, Netherlands) portrays people who, for disparate reasons, live their lives as outsiders. Her distinctive method of documenting – at once plain and empathetic – nevertheless resists the stubborn tendency toward marginalisation, whether emanating from society or from solitude. Both movements are revealed as a symptom of existential helplessness. On closer inspection, the position of the outsider can seldom be attributed to either voluntary withdrawal or imposed exclusion. It is necessary to breach this dichotomy and consider the existing condition in all its complexity and subtlety.  

Rosette, Mauricette and Roby

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Zoé Beausire
Rosette, Mauricette and Roby



Published by: Kominek Gallery

64 pages 23 x 16.5 cm Edition of 500 2012

£22.00

The photo book by Zoé Beausire (*1987) document in a very empathetic and personal way the artist’s preoccupation with the process of aging and the resulting bodily and mental changes within the artist‘s closest circle of family. The photos are posing questions about physical adjacency and the relation of life and death. In a symbolical as well as narrative way, she shows drastically and intensely the inevitable process of body changes, of alteration in social life and in social participation. Contentwise the works complement one another to a deeply touching construct of hard reality, gentle narrative sightings of details, fragmented memories and staged sequences of dreams. In this way a new, direct and at the same time very empathetic view is generated on the omnipresent topic of demographic changes in our society.  


First Journey Home

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Misha Kominek
First Journey Home



Published by: Kominek Gallery

96 pages 20.5 x 28.5 cm Hardcover Edition of 500 2013 Signed

£34.00

In the summer of 1997, Misha Kominek decided to go on a road trip by himself around Poland for the first time. He had just graduated from photography school in Barcelona and felt confident with his camera. Aside from family visits to his grandmother after the fall of communism in 1989, he had never been back to his homeland on his own since he emigrated to Germany at the age of twelve with his family in 1982. This book brings together some of the pictures taken during this first journey back home. It recalls permanent emotions and fleeting sensations alongside the bits and pieces of daily life. The photographer visited fruit markets, fields and villages, old historical places and unfamiliar cities, from his hometown of Gliwice to Auschwitz and Warsaw. He took pictures of the familiar and unfamiliar, attempting to track down forgotten friends, unearth hidden childhood memories and forge new emotions and illusions. In all, he was trying to determine how he would have felt if he had never left his country and how life would be if he stayed in Poland now that turning back was once again an option. First Journey Home is a tale about a man’s romantic return to his homeland, the garden of his childhood. It is a captivating homage to that very mellow moment of excitement that saw him off and has motivated him to keep up with photography ever since. Above all, it is about the journey itself and the wistful longing, the passionate yet futile willingness to recover one’s former innocence through insignificant things and black-and-white pictures. Imbued with a great amount of humor and irony, this intimate confession of youthful illusions under the summer heat provides a lasting statement on the everlasting fable of emigration in Europe and the craving for a sweet life.  

Series

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Enrique Metinides
Series



Published by: Kominek Gallery

144 pages 24.5 x 34.5 cm 2011

£43.00

Series is an attempt to examine Enrique Metinides’ work from the perspective of cinematography, sequentially revealing facts that come together in a substantial way to form a common motif with continuity—thematic at least—between the various episodes of his oeuvre. This iconoclastic approach allows us to see that the work of Enrique Metinides is one of both fact and fiction. Showing that an act took place, that it really happened, gives the photographs the chance to vindicate their real and their fictional aspects; it also allows viewers to be conscious of their own confusion as they struggle to take a position vis-à-vis ambiguous material and makes it possible for them to redeploy their gaze.

Strangers in Paradise

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Misha Kominek
Strangers in Paradise



Published by: Kominek Gallery

56 pages 34 x 43.5 cm Edition of 500  2013

£31.00

Strangers in Paradise is about the beaches, attractions and sunburnt pilgrims of Lloret de Mar, the Costa Brava’s most famous holiday resort. It is also about the long summer of 1998 and young photographer Misha Kominek’s encounter with one of his major childhood fantasies. By the late 1990s, Lloret de Mar had developed a reputation as a holiday paradise for Central and Eastern European tourists eager for beach and sun. Long before the advent of low-cost air travel, this small but densely constructed coastal town in northern Catalonia became the target destination for young, penniless couples in love, teenagers celebrating their graduation from school, single men seeking amorous adventures and large families looking for affordable vacations. While Russians—currently Lloret’s most wealthy visiting community—predominate today, it used to be filled with Germans from the former East Germany, Czechs, Poles and many others. They would endure an infernal two to three-day trip by car or coach through a multitude of international borders, languages and currencies just to savor their small spot in heaven...  Strangers in Paradise consists of recollections of that moment of conclusion and reunion, the reunion of a wandering outsider with his own people in utopia, the discovery of the missing parts of his identity, its completion and the sweet acceptance of strangeness. Far from being anchored in clichés, this book offers a revealing insight of what lies beneath tourism, globalization, souvenirs and folklore. 

Transatlantic Relations

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Rainer Soda
Transatlantic Relations



Published by: Pogobooks

144 pages 30 x 24.5 cm Hardcover Colour Offset Edition of 500 2014

£43.00

In the 140-page book, large-format landscape photographs of the North American province face off images of Brandenburg and its surroundings. The book title "Transatlantic Relations" refers to the playful approach to substantive as well as formal image relationships that Sioda gleaned from the respective environments. In doing so, the border between foreign and known starts to blur, the key to the volume's wit as well as its depth. This game with found images and those which hold our cultural memory constitutes the political significance of the book. The photographs are not simply documentation of a found reality. The way they are put together is a decided comment on the contemporary. For example, there's an image of a cinema, where 12 people were shot during a movie screening; opposite is a billboard that uses the movie myth of the tough but fair Wild West of the United States to advertise a German beer. In addition to the meaning of weapons for the American myth, it's dedicated to other topics, like, religiosity, patriotism and Western romanticism. 

The Planet

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Martin Ransby
The Planet



Published by: Ransby Editions

28 pages 15 x 21 cm Softcover Edition of 100 2014

£9.00

The Planet is an artist's book where imprints, created with a simple household product, is transformed into organic patterns resembling the visual language of planetary surfaces. The images were created in Martin Ransby's studio and sets out to tease the viewers perception of scale and space.

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