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38 Hours

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The Guide: Frankfurt
38 Hours



Published by:

70 pages 16 x 21 cm Soft Cover 2015

£9.00

Fine dining in a kiosk, a graffitied cave under the autobahn, a modernist housing project, a secret speak easy bar, an unbuilt tower by Mies van der Rohe... Discover the creative force behind Frankfurt in 38 Hours. 


Sedimentality

My Epidemic

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Lili Reynaud-Dewar
My Epidemic



Published by: Paraguay Press

208 pages 15,4 x 23 cm Softcover 2015

£12.00

My epidemic (texts about my work and the work of other artists) is the first anthology of writings by French artist Lili Reynaud-Dewar. The oldest text in the book dates back to 2003—but was until now unpublished—whereas the most recent one is still to appear in the forthcoming issue of the art journal May of the summer 2015. The rest of the compendium has been disseminated during the last twelve years between as many exhibition catalogues and magazines editions in France but mostly abroad. They are sometimes essays on fellow artists (Lothar Hempel, François Curlet, Caroline Mesquita, John Smith, among others), exhibitions reviews, scripts from her artist talks, or can even take the form of a treatise on teaching. The provocative variety of subjects and ideas addressed by Reynaud-Dewar in My Epidemic stresses the anti-generalizing approach she’s now famous for in her sculpture and installation work, her obsession with how much difference differences make.

Love Your Parasites (Baroque Editions)

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Camilla WIlls
Love Your Parasites (Baroque Editions)



Published by:

89 pages 30 x 22 cm Soft cover 2015

£18.00

Love Your Parasites is a picture book that recognizes the “co-suffering parasite” through the lens of the motif in different art practices. Motif is taken to be a charged shape that communicates a desire. A form that is clung to, repeated and ascribed significance, that sticks around for a long period of time: scab, bruise, receptor. In this case contamination is renewal, a recurrence without security. Circulation is an intoxicated survival. The motif feels like something you cannot get rid of; yet at the same time it can be printed and distributed just like that. If you distribute something it has to take on the role of commodity at some point. This book is now released, starts sweating and moves uneasily in the world. Essentially printing these images becomes a reflection on the uneven currency of book publishing and distribution.

Issue 3

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Morena
Issue 3



Published by:

48 Pages 23 x 30 cm Soft Cover 2015

£10.00

The third issue of morena was shot by Olivier Zahm, Editor in Chief and Publisher of Purple Fashion Magazine. His philosophy relating to erotism, nudity and sex through photography is full of performatic facts that are purely developed in these shootings, in his words “I understood that morena was about the celebration of one girl, the celebration of her sensuality, her energy. It’s the first time that a magazine allows me to deepen the contact with a model and to shoot more than once. It’s the kind of things they only do in Japan. I have no assistant, there’s no hair and makeup, so somehow, something more intimate, more personal is bound to happen. Even one assistant changes the spirit of the shoot.”

48 Hours in Kyiv

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Sasha Kurmaz
48 Hours in Kyiv



Published by:

72 pages 21 x 30 cm Hardback 2015

£27.00

Photographer and visual artist Sasha Kurmaz was born in Kiev in 1986, right after the notorious Chernobyl disaster. Although starting his artistic path as a graffiti artist, Kurmaz describes his work as ”photographic” regardless the medium; installations, paintings, videos or producing photo zines. Still living and working from the Ukrainian capital, Kurmaz’s work is political yet intimate, which is reflected through his photographic diary juxtaposing nudes together with romantic still lives and brutal Stalinist architecture. For the Eytys Spring Summer 2015 story - “48 Hours in Kyiv” - Kurmaz spent two days documenting the life of two young locals following the Ukrainian revolution. 

Land

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Nickolas Mohanna
Land



Published by:

44 pages 21.5 x 28 cm Hand sewn soft cover Edition of 111 2015  

£12.00

LAND is a series of drawings produced alongside sound and video material regarding themes of malfunction. Relying heavily on the break down of the technology to dictate the finality of an image; salvaged/defective scanner(s) were used in the process to displace, cut, and scatter fragments of the images. The resultant chance architecture of the forms, reveal the push & pull of both hand and system aesthetics.  

Gasoline and Magic

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Hilar Stadler
Gasoline and Magic



Published by: Edition Patrick Frey

Everything about them is cool. The baby blue Porsche 917, the Chevy Camaro, the blue-, red- and yellow-striped overalls, the boys in low-buttoned shirts, sporting moustaches and a full head of hair, with the sunshine in their faces. Women wearing thick eyeliner and bell-bottoms, girls in crocheted bikinis at the finishing line, garlands of flowers for the winner.

£45.00

288 pages 21 × 31.5 cm Hardback 2015  


ID

I Love to Dress Like I am Coming from Somewhere

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Flurina Rothenberger
I Love to Dress Like I am Coming from Somewhere



Published by: Edition Patrick Frey

264 pages 13.5 x 18 cm Softcover 2015

£32.00

This picture book is a small window onto a large world. It shows everyday life in the most varied corners of the African continent, one that does not exist in the coverage provided by Western media. There is nothing spectacular or sensational about this everyday life, but it is always there. It is colorful and also banal, sometimes even contradictory, but it is always precious and genuine.

Issue 50

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Mousse Magazine
Issue 50



Published by:

314 pages 24 x 35 cm Soft cover 2015

£8.00

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.

Issue 4

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The Happy Reader
Issue 4



Published by:

64 pages 17 x 24.5 cm Softcover

£3.00

THE HAPPY READER is a unique magazine about reading for anyone who wishes to stay inspired, informed and entertained. With beautiful typography, the magazine is a design object which celebrates the pure pleasure of reading and the calming luxury of being offline.

Blind Landing Experimental Unit

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Alex F. Webb
Blind Landing Experimental Unit



Published by:

80 pages 29.7cm x 21cm Soft cover open binding Edition of 500 2015  

£20.00

The Rendlesham Forest incident of December 1980 refers to a series of reported sightings of unexplained lights and the alleged landing of (multiple) craft of unknown origin (Unidentified Flying Objects) in an area of woodland next Royal Air Force base at Woodbridge, Suffolk. During the Cold War the airfield was used as a foward base by the US Airforce. Blind Landing Experimental Unit [BLEU] is a reimagining of the 'Rendlesham Forest Incident,' (also known as ‘Britain’s Roswell’) that examines both the ‘official’ record of events alongside the various conflated accounts and conspiracy theories that have emerged in the time since. The work is comprised of a variety of ‘types’ of image that are derived from visual vernaculars associated with science and the military. BLEU explores themes of nuclear paranoia and rural mythology in relation to our understandings of evidence, classification and traditional perspectives of the otherworldly.

Metallen

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Emma Hammar
Metallen



Published by: Ditto Press

60 pages 24.5 x 34.5 cm Hardcover Edition of 750 2015

£25.00

The new book from Ditto Press, Metallenby Emma Hammar, uses the archive of a defunct metal factory in Västerås, Sweden, to create a vision of a utopian world made of twisted aluminium and decaying copper.

Rebel Without a Cause

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Stefan Marx
Rebel Without a Cause



Published by: Nieves

188 Pages 30 x 21 cm Softcover 2015  

£26.00

Rebel Without A Cause is a project by artist Stefan Marx and distiller Christoph Keller. It features Keller's exorbitant collection of over 150 traffic tickets and regulatory warnings that he accumulated over the last 20 years. These acts of misconduct and unpleasant letters by the authorities transform into art with Stefan Marx’ associative drawings layered on top of each ticket. The originals were sold for the same price as the fine multiplied by 7 at Galerie Karin Guenther in Hamburg, under the motto "cheaper ticket = inexpensive artwork" thus the initial punishment transforming into a reward, value and joy.


Haussmann für Weinberg

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Weinberg & Co.
Haussmann für Weinberg



Published by: Edition Patrick Frey

164 pages 22.5 × 30 cm Soft cover 2015  

£32.00

Richly illustrated with news clippings and company brochures Haussmann für Weinberg is a fashion, design, and architecture book in equal parts that precisely captures the Zeitgeist and shines a light on an ironic, illusionistic, Swiss Modernism that goes beyond strictly “good form.”

Midbar

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Dafy Hagai
Midbar



Published by:

30 pages 29 x 21 cm Softcover 2015

£18.00

Based in Tel Aviv and New York City, Israeli photographer Dafy Hagai solely works analogue medium format film. In 2014, she released the book Israeli Girls (published by Art Paper Editions, Belgium), where she captures independent young girls living in the suburbs around Tel-Aviv.  ’Midbar’, the title of Dafy Hagai’s story for Eytys, is hebrew for desert and uninhabited wilderness, a reference to the bright and bold Israeli landscape which works as a backdrop for the series. The story features street-casted models portrayed together with members of their own family, referencing the photographer’s own childhood memories when traveling across Israel with her family.

Sale

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Jason Evans
Sale



Published by:

20 Pages 25.5 x 19 cm Paperback 2015

£12.00

Jason Evan's new publication about a shop that makes and sells stuff for shops in Manchester.

Salon Moderne

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Fabienne Eggelhöfer / Monica Lutz
Salon Moderne



Published by: Edition Patrick Frey

288 pages 17.8 × 12.6 cm Hardcover 2015

£20.00

Hair Affair, Haircore, Jennyf'hair: hair salons are curious little worlds. Their names angle for attention, as do the window displays touting their particular aesthetic. The names and window displays of the Swiss salons showcased in Salon Moderne are veritable gems: there’s a window adorned with Corinthian columns, fishing nets and shells, for example, another decorated with model cars and a signed soccer ball, still others featuring carnival masks, colorful life preservers during the summer season, or photos of Miss Switzerlands past and present. But what could Swiss hairdressers possibly be thinking when they place a nibbled-at pine cone and a wooden hedgehog (half of whose spines are broken) on a styrofoam pedestal in the window? Well, it appears that hair salon window-dressing is an art unto itself, at once fascinating, perplexing and risible, often more or less divorced from the core business itself, and the sheer diversity of its one-off productions is unrivalled in any other line of retail business. That such a decorative culture should survive into the age of professional branding is but one more reason to devote a whole book to this bizarre phenomenon. After Gut Holz (2008), presenting a selection of aesthetically intriguing bowling alleys in Switzerland, and Die schönsten Schweizer Tea Rooms (2004), featuring the most stylish Swiss tea room interiors of the 1960s and ’70s, Salon Moderne is the third book by editors Fabienne Eggelhöfer and Monica Lutz to be published by Edition Patrick Frey.

Shipbreak

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Claudio Cambon
Shipbreak



Published by: Edition Patrick Frey

176 pages 22.8 × 28 cm Hardcover 2015

£38.00

Shipbreak tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990s. Through both words and images, it describes how the ship becomes a touchstone for many groups of people across the world: from the American shipbuilders who built her in the early 1960s and the seamen who worked on her for almost four decades all the way to the Bangladeshi shipbreakers who took the vessel apart, more or less by hand, and the many people who incorporated the ship’s raw materials into their daily lives as part of their country’s effort to develop its infrastructure and economy. The book describes how the ship was a source of livelihood for all these individuals, whether they were engaged in the act of its creation, operation, or apparent destruction, and it draws a seemingly improbable connection between them in order to reveal a common humanity above and beyond the boundaries of space and time that appear to separate them.  Shipbreak also depicts how their lives collectively give this magnificent object a metaphoric life of its own, and as such, the book becomes a meditation on the nature of life itself, on its loss and its transcendence. From photographs of the ship’s blueprints and launch to ones of objects made with the recast metal, it bears witness to the way the ship was born, lived and died, and ultimately came to live again, albeit in a myriad of new forms that bear little resemblance to its former self. (Claudio Cambon)

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