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Robert Kinmont

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Robert Kinmont
Robert Kinmont



Published by: Mousse Publishing

19.5 x 16.5 cm 80 pages Softcover English/German.

£16.00

Although the Californian conceptual artist Robert Kinmont’s work dates back to the late 1960s and the beginning of 1970s, this is the first monograph ever. Kinmont is primarily concerned with his environment, the Californian landscape. He works with simple, mostly natural materials, and places them in relation to his body and his life. Probably his best known work, entitled 8 Natural Handstands (1969/2005), a series of photographs showing the artist doing handstands in abandoned landscapes, on the edges of cliffs, river beds, forests and deserts, was illustrated in Lucy Lippard’s famous book Six Years: The Dematerialization of the Art Object from 1966 to 1972. Not so long afterwards, Kinmont retreated from art practice for the following three decades. Recent solo exhibitions in Glarus and Bremen have been the occasion for a long overdue publication. Kinmont is back. With texts by Alexandra Blättler, Stefanie Böttcher, Robert Kinmont, Aoife Rosenmeyer, Sabine Rusterholz Petko


Issue 15

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Bad Day Magazine
Issue 15



Published by: Bad Day

132 pages Softcover English 2013

£8.00

Text from: Julia Dippelhofer, Johnny Hockin, LILINTERNET, Sarah Nicole Prickett, Adam O’Reilly, Graydon Sheppard, Hugh Scott-Douglas Images from: KT Auleta, Petra Collins, Jeff Henrikson, Jeremy Liebman, Eva Michon, Kristie Muller, Davida Nemeroff, Samuel Nyholm, Peter Sutherland, Michael Schmelling, Magnus Unnar, Norman Wong

Subjective Maps / Disappearances

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Little Constellation
Subjective Maps / Disappearances



Published by: Mousse Publishing

272 pages 23.5 x 17 cm Colour 2010

£22.00

Little Constellation tells the story of a journey through the art - and the world inhabited by art and artists - of a constellation of small states in Europe, travelling to Andorra, Cyprus, Iceland, Luxembourg, Liechtenstein, Malta, Monaco, Montenegro, San Marino, and other significant geocultural micro-areas such as Canton, Ticino, Ceuta, Gibraltar or Kaliningrad. This unusual investigation examines the potential for building a shared platform for artists, curators, and institutions in these areas, to carve out a place of their own within the international artistic debate.

Disposition

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Ai Weiwei
Disposition



Published by: Mousse Publishing

32 pages 29 x 17 cm English 2013

£7.00

Published for the exhibition Disposition, this slim but satisfying catalogue is composed of a series of pictures, close ups and words about the two major projects Ai Weiwei has created for Zuecca Project Space within the context of the 55th Venice Biennale. 

All'Aperto: Roman Signer

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Fondazione Zegna
All'Aperto: Roman Signer



Published by: Mousse Publishing

80 pages 24 x 17cm Softcover 2013

£18.00

The catalogue illustrates Signer's project for All'Aperto through a fine selection of images and documentation, to narrate the genesis, production and installation of this site specific piece, as well as the action that took place at the opening. There is preface by Anna Zegna and an introduction by Andrea Zegna.

Ten Fundamental Questions of Curating

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Jens Hoffman
Ten Fundamental Questions of Curating



Published by: Mousse Publishing

148 pages 24 x 15.5 cm 2013

£18.00

In Ten Fundamental Questions of Curating ten distinguished contemporary curators pose then propose answers to a series of key questions related to curating, art and exhibition making today: What is a curator? What is the public? What is art? What about collecting? What is an exhibition? Why mediate art? What to do with the contemporary? What about responsibility? What is the process? How about pleasure?  

Cotton Rhapsody

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Claire Aho
Cotton Rhapsody



Published by: The Photographers Gallery

40 pages Softcover Second Edition of 500 2013

£19.99

This is a facsimile re-edition of a textile catalogue published by The Photographers' Gallery to accompany the exhibition Claire Aho: Studio Works. Originally produced in 1958 the catalogue includes beautiful yet quirky fashion photographs by Aho, reflecting a Golden Age of Finnish postwar design. The re-edition was produced in a limited edition of 500 copies.

Streaming Blood [Sounds+Visions]


The Path of The Sword

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Moritz Waldemeyer
The Path of The Sword



Published by: Clear Edition & Gallery

82 pages 32 x 25 cm Softcover Edition of 500 2013 

£26.00

'The Path of the Sword’ is a journey that begins at inspiration to arrive at the realization of an idea. To those who are setting out on this adventure it offers a glimpse at the a few of the previous collaborations of Moritz Waldemeyer with some of the most important names in design, including Zaha Hadid, Fredrickson Stallard and Philippe Starck. The metamorphosis of each of these projects through photography has augmented Moritz’s original idea: en- chantingly abstract forms have emerged, as though every LED of the original installation were a brush full of color and the film a canvas to be painted. Moritz starts from this concept and expresses it through the agility and grace of martial arts. Swords “studded” with LED lights move as though they were choreographed in the hands of martial arts masters that project a flow of visible forms to the public and to the photographic film through the persis- tence of the images in the human eye and thanks to the photos taken with long exposure times.

Prairie

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Mikko Ryhanen
Prairie



Published by: Kasino Creative Publishing

148 Pages 22 x 17,5 cm Softcover 2013

£18.00

A snug photography book about the world around us, shot at with anti-digital camera in various places and times, made too modern for the mind of a human child. Mikko Ryhänen is a photographer born in 1975 in Helsinki, Finland.

Issue 8

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White Review
Issue 8



Published by: The White Review

169 pages Softcover Insert inside 2013 

£13.00

Editorial includes: Estate by China Miéville (Fiction) Chris Kraus (Interview) A Fictive Retrospective of the Bruce High Quality Foundation by Legacy Russell (Art) Poems by John Ashbery, Jack Underwood and Sumana Roy (Poetry) Claudia Wieser (Art) The Croatian Fairy by Dubravka Ugrešić (tr. David Williams) (Essay) Sophie Calle (Interview) with cover art by Ben Berlow

Cataract

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John Berger
Cataract



Published by: Notting Hill Editions

Hardback cover 12x9 cm Offset 2011

£12.00

What happens when cataracts rob an art critic of his sight? John Berger, whose classic book Ways of Seeing has been in print for nearly forty years, joins forces with Turkish illustrator Selçuk Demirel to reflect on his own experience of loss of vision.

A Cultural History of an Isolated Landmass

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Freddy Dewe Mathews
A Cultural History of an Isolated Landmass



Published by: Freddy Dewe Mathews

100 pages 24 x 16 cm Softcover with insert Colour Offset First Edition Edition of 1000 2013

£20.00

Bouvetøya: A Cultural History of an Isolated Landmass is the first published history of the most remote island in the world. The book - designed as a field manual, with 32 full colour illustrations within a red waterproof cover - uses excerpts from both dubious historical expeditions and fictions that use the island as their setting. It looks at the imposed culture of a place without people. It presents the history of human interaction with the island and how we managed to make pregnant the physical landscape of such a removed and alien landmass. This psycho-geographic proposition is particularly relevant in the case of a land without significant or sustained human presence. Paired with the text, is photography selected from the archive at the Norwegian Polar Institute in Tromsø, specifically from a scientific expedition to the island in 1978. This trip is responsible for the most comprehensive understanding we have of this uninhabited and seldom visited land.

Sylvia Sleigh

Issue 14: Masculine

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Capricious
Issue 14: Masculine



Published by: Capricious Magazine

162 pages 27.5 x 21.5 cm Softcover Colour Offset 2013 

£18.00

This 162 page full color publication delves into the many dimensions of masculinity. Roving through a rugged narrative of social rite and ritual, candid portraits, aesthetics and pointed juxtapositions — we found the Capricious Masculine. It is gentle but still aggressive, its violent, but safe, it is things that we can identify with, but also things that we never understood. We might be imposing masculinity on you, with both with the curation of the magazine and flow, but we are making a statement, we are letting our minds drift, to our own imagination, and by doing so, create a question for you.


Sentences Volume II

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Massimo Minini
Sentences Volume II



Published by: Mousse Publishing

280 pages 16.5 x 10.5 cm Softcover 2013 

£13.00

These blurbs were presented in November 2009 at Artissima, so I called them 'labels for Artissima,' and then they became Pizzini, with an English subtitle, Sentences, borrowed from the famous text by Sol LeWitt.

NearFar

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Kjetil Berge
NearFar



Published by: Teknisk Industri AS

84 pages 30 x 24.5 cm Hardback Colour Offset 2013 

£39.00

The book NearFar Kjetil Berge is one of the most personal documents among Norwegian photobooks. Through an inherited camera Berge shows parts of life, without being intrusive. Photos from hospitals, from good moments with his father to his father near the end. His own and others' disease, a summer party. Kjetil Berge is not keen to interpret life or give the viewer solace in the book NearFar. The photographs are out of focus and with imprecise compositions he creates still sharp observations about life. If one is to summarize the book it must be that you are not alone. There are others just like you, good days, bad days, and days just to read the newspaper.

Her et Sted

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Katja Host
Her et Sted



Published by: Teknisk Industri AS

84 Pages 23 x 21 cm Hardback Colour Offset 2012 

£34.00

Her et sted can be read as a personal exploration of place and belonging. Six different places where the artist has lived have been the subject of a photographic survey in which the artist sought to take possession of each place and make it her ”own”. The photographs thus represent the artist's attempt to understand, collect, categorize and relate to new places.  Each place possesses something distinct and specific, something that the artist has sought to grasp through the photographs. Collectively they become an image and representation of the fleeting moment, just like the traces we leave behind, lingering in our absence.”Thus they form an archaeology of the future; an archaeology of abandoned objects and landscapes, light plastic furniture, papers, construction sites and equipment. The people in the photographs are in a way already leaving situations that define our culture, entering the silence that will be when we are no longer.” (Janike Kampevold Larsen)  

Submerged

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Kjetil Kausland
Submerged



Published by: Teknisk Industri AS

136 pages 27 x 22 cm Hardback Colour Offset 2013

£45.00

Submerged is a photography- and book project exploring the performative aspects of Mixed Martial Arts. This form of martial arts exists outside of the regulated sport. On the one side it is seemingly violent, on the other it isstrictlyregulated and strict its self-policing. In this book Kjetil Kausland introduces us to photographs from Mixed Martial Arts fights. By taking part and contributing to this sport Kausland has been able to capture images no one else would. The book presents three projects No Holds Barred (2004-2007), No Màs (2008) and Submerged (2008-2010), and four comissioned texts by Tomas Espedal, Tommy Olsson, Joakim Borda and Susanne Christensen.  “The object of this book is to explore the limits of performativity and the dialogue between the directed and spontaneous in photographic art.” Kausland says. “The starting point of this project is my own participation, in the scene surrounding the sport as well as one of its fighters.”  

Skyldfolk

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Morten Andenaes
Skyldfolk



Published by: Teknisk Industri AS

352 pages 30 x 29 cm Hardback Colour Offset 2013

£61.00

The book is divided into nine chapters, and follows a linear progression which loosely references the move from an initial question of guilt, up through the various levels of the judicial system. The outdated Norwegian term which fronts the book is made up of the words skyld (guilt or debt), and folk (people). This literal reading, together with the narrative structure and the overarching theme of Andenæs’ project, suggests that the parameters for this volume are punishment and debt, guilt and the constraints placed on the individual by familial and societal responsibilities and expectations, as well as the ensuing violent impulses such restrictions might cause. SKYLDFOLK forces a seemingly disparate group of images together, reflecting both the susceptibility and resistance, of each single image towards becoming an integral part of a coherent whole. 

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